Page 172 - Chinese and japanese porcelain silk and lacquer Canepa
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Fig. 3.1.3.3  Kraak globular kendi from the
                                     shipwreck San Diego (1600)
                                 Jingdezhen kilns, Jiangxi province
                               Ming dynasty, Wanli reign (1573–1620)
                                              Height: 22cm
                                Museo Naval, Madrid (inv. no. 7309)
                         Fig. 3.1.3.4  Kraak wine or water pot from the
                                VOC shipwreck Witte Leeuw (1613)
                                 Jingdezhen kilns, Jiangxi province
                               Ming dynasty, Wanli reign (1573–1620)
                                              Height: 19cm
                                       Rijksmuseum, Amsterdam
                                    (museum no. NG-1977-174-W)





                          opinion, see Sir Michael Butler and Professor Wang   taken in 1524 of her Palace of Mechelen reveals that she had approximately 15 pieces
                          Qingzheng,  Seventeenth Century Jingdezhen
                          Porcelain from the Shanghai Museum and the Butler   of porcelain, some with silver or silver-gilt mounts, displayed throughout her personal
                          Collections. Beauty’s Enchantment, exhibition
                                                                            262
                          catalogue, The Shanghai Museum, London, 2006,   living apartments.   Visual sources attest to the appreciation of porcelain in the
                          p. 28.                             Southern Netherlands at the time of Margaret’s rule. For instance, a small porcelain
                        230   Like the tall cups discussed earlier, some of these
                          wine cups bear a six-character Chenghua reign   ewer containing white lilies is depicted in painting of the Annunciation formerly
                          mark within a circle on the base. Eight tall bell-
                          shaped cups showing traces of overglaze enamel   attributed to the Brussels painter-designer Bernard van Orley (c.1487/91–1541), who
                          decoration and bearing Chenghua reign marks   was appointed as Margaret’s official court painter in 1518.
                                                                                                             263
                          were recovered from the  Wanli  shipwreck (c.1625).
                          Published in Sjostrand and Lok Lok bt. Syed Idrus,   Like many other Habsburg rulers across Europe, the Archduke Albert of Austria
                          2007, pp. 154–155, serial. No. 4643.
                        231   Published in Bowden, 2004, p. 14.  and his wife Isabella Clara, who ruled as joint governors of the Southern Netherlands
                        232   Published in Li Jian’an, ‘Dehua Jiabeishan mingdai   between 1598 and 1621, had an impressive collection of Asian objects in their
                          yaozhi  de  fajue  yu shouhuo  (Excavation  &  results
                          of the Jiabeishan kiln site of the Ming dynasty at   Kunstkammer in Brussels. Archduke Albert, as mentioned in Chapter II, also appears
                          Dehua)’, Fujian Wenbo, no. 49, 2004/4, p. 32; Fujian
                          bowuyuan, Dehuaxian wenguanhui & Dehua taoci   to have appreciated and worn silks imported from China. The Five Senses cycle by
                          bowuguan, ‘Dehua mingdai Jiabeishan taozhi   Jan Brueghel the Elder (1568–1625) and Peter Paul Rubens (1557–1640), painted
                          fajue jianbao (Short report on the excavation to the
                          Ming dynasty kiln site at Jiabeishan, Dehua)’, Fujian   for Albert and Isabella Clara in 1617–1618, show their curiosity cabinets and various
                          Wenbo, no. 55, 2006/2, p. 14; and Rose Kerr and
                          John Ayers, et. al., 2002, p. 39, fig. 3.  places of the archducal court filled with diverse art objects reflecting their wealth and
                        233   The earliest archaeological evidence of the Spanish   sophisticated taste.  Three of the five paintings, Sense of Sight, Sense of Taste and
                                                                            264
                          trade in  Blanc de chine porcelain was thought to
                          date to c.1650–1670. This was based on fragments   Sense of Smell, include porcelain. In a detail of the Sense of Sight, for example, one
                          recovered from the wreck site of a large unidentified
                          ship,  known  as  the  Tankard  Wreck,  which  is   can clearly see the Archduke’s curiosity cabinet decorated with paintings, tapestries,
                          believed to have been under the command of a   busts and a large number of pieces of porcelain displayed on a table, on a cabinet
                          Spanish crew at the time that it sank off Bermuda
                          in  c.1650–1670, while en route to Spain. The next   and on a sideboard (Figs. 3.1.3.1a and b).  All pieces appear to be Kraak porcelain
                                                                                                265
                          evidence is provided by Blanc de chine finds from a
                          Spanish shipwreck that sank in 1691 on Pedro Bank,   dating to the Wanli reign, including a small bowl with silver-gilt mounts, two pear-
 Fig. 3.1.3.2  Kraak pear-shaped bottle  southwest of Jamaica, while en route to Havana; and   shaped bottles (Fig. 3.1.3.2) and a globular  kendi similar to those recovered from
 Jingdezhen kilns, Jiangxi province  those recovered at Nehalem Bay on the northwest   the shipwreck San Diego (1600) (Fig. 3.1.3.3), a large vase, a wine or water pot (Fig.
                          coast of present-day United States, from a wreck
 Ming dynasty, Wanli reign (1573–1620)  known as Beeswax Wreck, which is most likely the
 Height: 18.5cm           Manila Galleon, Santo Cristo de Burgos that sailed   3.1.3.4), a dish decorated with flaming wheels or chakras  266  forming a five-petalled
 Groninger Museum, Groningen    from Manila in 1693 and disappeared without a   motif within a panelled rim border (Fig. 3.1.3.5) which relates closely to a late Wanli
 (inv. no. 1988.0042)     trace. The presence of Blanc de chine porcelain in
                          Spain is demonstrated by a small number of figure   shard excavated at Macao, 267  and many small bowls and saucer dishes. These may be
                          and animal models in the Spanish royal collection,
 Fig. 3.1.3.5  Kraak dish   but it is not known exactly how or when these pieces   some of the ‘three hundred pieces of porcelains, two boxes of glass and …porcelains’
 Jingdezhen kilns, Jiangxi province  entered the royal collection. See Canepa and
 Ming dynasty, Wanli reign (1573–1620)  Terreros Espinosa, 2014, pp. 2–15. A total of 23 Blanc   sent in 1602 to Isabella Clara in Brussels, which were part of the inheritance bequeathed
 Diameter: 27.5cm         de chine incense stick holders similarly moulded   from her father’s estate.  Philip II’s inventory, as mentioned earlier, lists three blue-
                                                                                268
 Princessehof Museum, Leeuwarden    as Buddhist Lions were recovered from the cargo   and-white garrafas with mammiform spouts protruding, which most probably referred
 (inv. no. OKS 1983/47)   of the Hatcher junk  (c.1643). A pair is published in




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