Page 228 - Art In The Age Of Exploration (Great Section on Chinese Art Ming Dynasty)
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graphic projection: one in which the world is
           shown upon a conic graticule with converging
           meridians and semicircular parallels, another  with
           curved meridians and parallels, and a third in
           which armillary rings surround the earth,  which
           appears as a sphere  seen in perspective.  Especially
           important are the tables of coordinates giving  the
           latitude  and longitude  of principal towns  and
           cities, region by region, which provide the basic
           instruction  for mapmakers. Ptolemy's  Geography
           was not known in western Europe until the fif-
           teenth  century.  The oldest Greek manuscript is
           Byzantine and dates from the thirteenth  century,
           when the  scholar Maximus Planudes realized
           the importance of Ptolemy's contribution  to
           geography.
            This manuscript in the original Greek, which
          was copied by Giovanni  Rhosos in the  fifteenth
           century for Cardinal Bessarion (as it appears in an
           early catalogue:  "Geographia Ptolemaei  optima
           cum picturis, liber B[essarionis] card[inalis] Tus-
           culani. In loco 49")  combines textual accuracy
          with artistic beauty.  It is based on the  so-called
           "A" recension of the  Geography  and includes
          twenty-seven  maps, among them  the  well-known
           Ptolemaic planisphere, or map of the  world.  Of all
           the Greek manuscripts of the  Geography,  Cod.
           Gr. Z. 388 is the only one containing  an  imagi-
           nary portrait of Ptolemy  himself.  The  scholar is
           shown outside his study, holding an astrolabe.
           Books and various scientific instruments  can be
           seen inside, including another  astrolabe, a quad-
           rant, and two torqueta.  Ptolemy is bearded,
           dressed in a rich coat lined with ermine,  and
          wearing a gold crown. This portrayal reflects  the
          widespread confusion  of the  Greek geographer,
          who was born in Ptolemai's but  lived either in
          Alexandria  or in  Canopus, fifteen  miles  east of
          that town, with  one of the  Ptolemies who were
          kings of Egypt.  Below the  illumination  is a Greek
          epigram written  in gold letters:  "Ptolemy/I know
          that  [I] am mortal,  a creature of a day;  but  when I
          search into the  multitudinous  revolving  spirals of
          the  stars my feet no longer rest on the earth,  but,
          standing by Zeus himself, I take my  fill of ambro-
          sia, the  food  of the  Gods/' These verses,  from  a
          collection of ancient and medieval Greek poems
          known as the  Greek Anthology  (ix, 577), are
          accompanied by Nicolo Perotti's  Latin translation
          and are especially appropriate here, not just
          because they relate to Ptolemy but  also because
          Maximus Planudes, who promoted  a new  interest
          in Ptolemy's Geography,  was also famous as an
          anthologist  of Greek epigrams.    j. M. M.















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