Page 51 - PHOTODOT 2018년 7월호 VOL.52

The Relationship between 정혜원
You and I ‘People of the Asteroids’ JUNG HYEWON / Photo Artist

대구대학교 디자인대학원 사진전공, 흑백사진연구소 빛그림방 연구원, 꿈다락 토
요 문화학교 이현초등 예술강사, 갤러리 마젠타 대표(대구 삼성창조캠퍼스 내), NISI
Once the shantytown on the hills was bulldozed, an FILTERSKOREA 홍보작가
JUNG HYEWON / Photo Artist
apartment complex with a rich town’s name took the place. Out of 개인전
the fear of losing a competition and despite the price premium for 그리움의 이야기들 / 갤러리 카페 오리진(대구 2014) Studies Photography at Graduate School of Design, Daegu Univ.
그리운 풍경 / 갤러리 카페 산만디(부산 2015)
being close to a flashy neighborhood across the river, I ended up 마다가스카르, 마음에 쉼표 하나 / 갤러리 마젠타(대구 2017) Researcher, Light Art Photography, B/W Photography Research Institute
Art Instructor, dream loft Saturday Culture School at LeeHyun
마다가스카르, 마음에 쉼표 하나 / 갤러리 나미브(서울 2017)
buying a unit. While this numbered rectangular space built on the Elementary School
정혜원 사진전 MADACASCAR / CU 갤러리(대구 2017) CEO of Gallery Magenta (in Samsung Creative Campus, Daegu)
air is legally mine, I am anxious. The concern of selling this property 정혜원 사진전 꿈꾸는 마다가스카르 / 화폐박물관 특별전시실(대전 2017) NISI FILTERSKOREA Artist Ambassador
정혜원 사진전 MADACASCAR,소혹성의 사람들 / 김결수 갤러리(대구 2018)
already gives me a headache, although I just bought it.
정혜원 사진전 MADACASCAR,소혹성의 사람들 / 여미갤러리 (서산 2018) Solo Exhibition
정혜원 사진전 MADACASCAR,소혹성의 사람들 / 남촌미술관 (담양 2018)
The Tales of Longing / Gallery Cafe Origin (Daegu 2014)
About five decades ago, Guy Debord has warned the world that it A nostalgic landscape / Gallery Cafe Sanmandi (Busan 2015)
단체전 One comma in mind, Madagascar / Gallery Magenta (Daegu 2017)
would be full of people just like me. He named the particular loss 마다카스카르의 여행사진전 / 카페 마다가스카르(서울 2015) One comma in mind, Madagascar / Gallery Namib (Seoul 2017)
PHOTO & TRAVEL 2016 / 코엑스(서울 2016)
of inherent worth and the form of worshipping commodities as MADACASCAR / CU Gallery (Daegu 2017)
PHOTO & TRAVEL 2017 / 코엑스(서울 2017) The Dreaming Madagascar / Money Museum (Daejeon 2017)
“spectacle.” Spectacles have degraded us into spectators no longer 사진과 사람 정기전시회 / 갤러리 카페 루나(제주 2017) MADACASCAR, Apocalyptic people / Gallery Kim (Daegu 2018)
LA 모던아트 이색전 / 갤러리 웨스턴(LA 2018)
capable of reasons and emotions. While we are surrounded by us MARCH / 갤러리 이앙(서울 2018) MADACASCAR, Apocalyptic people / Yeomi Gallery (Seosan 2018)
MADACASCAR, Apocalyptic people / Namchon museum ( Damyang
on all directions, we ostracize ourselves. 제11회 전주 포토페스티벌 / 갤러리 사진공간 NOON(전주 2018) 2018)
2018 KUCA 한국현대사진 30인전 <Exposure> / (우크라이나 키예프 2018)
Group Exhibition
Meanwhile, apartments have become the very symbol of spec- 빛 그림방 “대구를 보다” 흑백사진 10년 프로젝트 참가 작업 중 Travel Photo Exhibition / Gallery Cafe Madagascar(Seoul 2015)
2014년 대구의 길(대구 가온갤러리)
tacles. Construction site floors are flooded with cryptic numbers, 2015년 대구의 길 초대전(대구 선 갤러리) PHOTO & TRAVEL 2016 / COEX (Seoul 2016)
PHOTO & TRAVEL 2017 / COEX (Seoul 2017)
signs and codes. The fence screen that encircles the entire outer 2015년 대구의 무형문화재(대구문화예술회관) Photography and People's Exhibition / Gallery Cafe Luna (Jeju 2017)
2016년 대구의 다리(대구문화예술회관)
wall must be trying to hide what happens on the inside. Wires 2017년 대구의 서원과 고택(대구문화예술회관) LA Modern Art Exhibition / Gallery Western (LA 2018)
MARCH / Gallery IANG (Seoul 2018)
are so tangled that nobody could possibly guess where they are 2018년 대구의 공원 (대구문화예술회관) The 11th Jeonju Photo Festival, Gaze and Thought / photo space NOON
(Jeonju 2018)
connected to; thin steel frames are connected by some means, and
2018 KUCA Korean Contemporary thirty-person Photography exhibition
then get covered with thick cement. Yesterday’s floor becomes to- (Kyiv Ukraine, Ukraine)
day’s ceiling, and bumps develop from smooth surfaces in a day. of my social standpoint, I wish to speak through photographs.
Light picture room "Daegu" in black and white photography project
How does the world disturb us? The very process of spectacles are Spectacles are not mere sets of images; rather, they are the so- Daegu Road (Daegu Gaon Gallery) in 2014
as much as spectacle as the outcomes themselves. I feel anxious cial relationships among the people mediated by these images! Daegu Road Invitation Exhibition (Daegu Sun Gallery) in 2015
Intangible Cultural Property (Daegu Culture and Arts Center)
and nauseated. Since our modern history was not built upon our willful choices, in Daegu in 2015
we have become secularized. For that, I give my best to be more Bridge (Daegu Culture and Arts Center) in Daegu in 2016
Seowon and Go-taek (Daegu Culture and Arts Center) in Daegu in 2017
For I do not possess the level of intellect to give a logical account meticulous. Parks in Daegu (Daegu Culture and Arts Center) in 2018

76 77