Page 10 - Photo Review
P. 10

INSPIRATION
























                    ‘Every time I felt like I was


                  better, I would delete my old

                          stuff and start again.’

















           But after a year or so, he’d picked up a new  And then just as everything was humming
           job in New Zealand – and a familiar pattern  along, he accepted a job in France.
           was repeated.                            It was an opportunity, he hoped, to explore
            ¶7KH ÁDWPDWH , OLYHG ZLWK KDG DQ LQWHUHVW LQ  both his landscape and travel photography in
           photography and we kind of egged each other  a beautiful part of the world. Moving halfway
           RQ  +H ORYHG WKH WHFKQLFDO VWXII  ZKLFK , ÀQG YHU\  around the world necessarily inserted a pause
           GU\  VR EHWZHHQ XV VR ZH NLQG RI ÀJXUHG RXW KRZ  in his Australian-based photographic activities.
           WR VKRRW PDQXDO  KRZ WR XVH ÀOWHUV DQG VR RQ ·  Even so, he continued to keep his hand in by,
            %\ WKLV VWDJH /HH KDG H[FKDQJHG WKH ÀOP  among other things, participating in the AIPP’s
           FDPHUD IRU KLV ÀUVW '6/5  D &DQRQ    '   annual Australian Professional Photography
           +H DQG KLV ÁDWPDWH WUDYHOOHG DURXQG ERWK WKH  Awards. A year or two later when he returned
           North and South Islands of New Zealand and  WR $XVWUDOLD  KH TXDOLÀHG IRU KLV 0DVWHU RI
           the experience re-ignited Lee’s passion for  Photography of the Australian Institute of
           photography – particularly of the landscape.  Professional Photography.
            In the late ‘noughties’ he moved to Australia  While many photographers are given
           where he continued to work in engineering  to waxing lyrical about their photographic
           while at the same time devoting himself to his  philosophy, Lee’s attitude to his own creative
           photography. ‘I've spent thousands of hours on it.  endeavours is more cut and dried:
           For a very long time, every single spare moment  ¶, P GHÀQLWHO\ QRW RQH RI WKH DUWLVW W\SHV ZKR
           I'd be out photographing – and Photoshopping  talk about their photography in a deeper sense.
           when I couldn't go out. I was building a business,  , ÀQG WKDW NLQG RI ZHLUG · KH VDLG  ¶, GRQ W VHH
           teaching on the weekends and all my holidays  things in my images. Or that they resonate from
           were taken up by going out taking photos. It was  my personality or anything like that.
           all-consuming for several years.         ‘It's the philosophy thing I don't feel like I have.
            ‘I built up to where I was earning decent  Obviously I have certain visual preferences and
           money. I was teaching groups of photographers  I have a way of post-processing. So, I probably
           every other weekend. I was teaching Photoshop  have a style - although it's not obvious to me.
           and doing some weekend trips away with  I do like seeing a collection of work and seeing
           people too.’                           consistency through it.’









           8    PHOTOREVIEW AUSTRALIA   |   Issue 75   www.photoreview.com.au
   5   6   7   8   9   10   11   12   13   14   15