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CAPE, IT
ISES ARE
LD. BUT
WHAT IS GAINED AND WHAT IS LOST WHEN SUCH (RE)PROGRAMMING
IS CARRIED OUT? USING 4231 +( - 2415(5.1 AS A CASE STUDY,
STUART RICHARDS INVESTIGATES THE PROCESS OF LOCALISATION IN
THE CONTEXTS OF REALITY TELEVISION, MEDIA ECOLOGIES AND THE
NOTION OF ‘QUALITY TELEVISION’.

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TRSQ@KH@M 2TQUHUNQ, however, I became curious as to why this local adaptation wasn’t
an enjoyable experience. Was it the casting? Was it just bad luck that most of the
contestants who were avid 2TQUHUNQ fans were voted out early? With, at one stage,
there being three episodes airing weekly, was it just too much of a good thing? To
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particularly her analysis of the localisation of /NO (CNK for a Canadian audience. 1
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collaborations between production companies and local media ecologies, which
consist of media and cultural agents ‘linked through their use of RODBHkB OQNCTB-
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The Australian television industry is dominated by format producers, such as the
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type of commercial negotiation that an international format can be adapted for
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