Page 34 - 3D Artist 110 - 2017 UK
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ILLUMINATING ANIMATION



























            It’s more in the character

         development side of things
         where a lot of the changes
             have come about
                       Kyle Balda,
                        Director


          intimate bond with gru. there’s a love-hate thing
          going on between them. It’s more in the character   The movements of
          development side of things where a lot of the   Balthazar Bratt was
                                                determined by his love
          changes have come about.”             of dancing to music
            Some animation tests were required. “We had   from the Eighties
          an interesting sequence to build with the lighting
          and visual effects mixed with the animation,”
          states Soret. “gru is brieing Dru on how to get in
          Bratt’s lair. [the entire] interface was made in
          visual effects, like in Minority Report, so we had to
          make the character mime as if he’s manipulating a
          real interface. this was something we have never
          done before.” Bubble gum is also effectively used
          as a weapon by Balthazar Bratt. “the visual
          effects team had given us so much to choose from
          in terms of the textures and styles,” remarks
          Balda. “We tried lava-style bubble gum. Eric
          guillon, who was a co-director and the production
          designer, gave us these circular shapes to give that
          feeling of elasticity, such as when lucy jumps and
          lands on it, and credibility as the bubble gum
          becomes like a bungee cord later on when the
          girls are being saved from the building. the more
          technical thing were the consequences of it. the
          big-scale bubble gum caused buildings to
          crumble, the ground to be lifted and all of the
          water dripping from the raised ship.”
            the inal battle between Balthazar Bratt and
          gru takes place on a different continent to Dru’s
          mansion located on a ictional European
          mediterranean island known as Freedonia. “there
          is so much reference to los angeles in terms of
          what the Sun looks like here. We would probably
          get criticised from los angelinos about which
          direction the Hollywood sign faces, but those
          were creative liberties taken to make a more
          interesting story. the place where the artists had
          the most fun is Bratt’s lair. all of his control panels
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