Page 35 - 3D Artist 110 - 2017 UK
P. 35

BEING A
                                                                                          REAL BRATT


                                                                                          Playing upon childhood nostalgia served as
                                                                                          the basis for Eighties villain Balthazar Bratt,
                                                                                          who was voiced by trey Parker


                                                                                          along with using bubble gum as his weapon
                                                                                          of choice, Balthazar Bratt is adorned with the
                                                                                          wardrobe and attitude of michael Jackson
                                                                                          and Prince. “We were trying to avoid a
                                                                                          straightforward bad guy who twists his
                                                                                          moustache and does bad things,” states
                                                                                          Despicable Me 3 director Kyle Balda when
                                                                                          discussing the former child television star
                                                                                          seeking revenge for his show being cancelled.
                                                                                          “[Instead we gave] true motivation as to what
                                                                                          is making him do these things, but also with a
                                                                                          little bit of ridiculousness to it. Balthazar Bratt
                                                                                          is such an icon of the Eighties and has a lot of
                                                                                          these cheesy Eighties references. He’s stuck in
                                                                                          the past and has this mullet haircut.
                                                                                            “Pierre Cofin, Eric guillon and I are children
                                                                                          from the Eighties so these were nostalgic
                                                                                          references for us… His key power weapon is a
                                                                                          keytar which was [commonly found in]
                                                                                          Eighties pop bands, but then how do you
                                                                                          weaponise it for an Eighties-style villain? We
                                                                                          had all of those signatures around but also
                                                                                          needed for them to feel like they’re all coming
                                                                                          from one spirit and motivation.” music and   all images: Illumination and universal Pictures
                                                                                          dancing plays a big role in the performance of
                                                                                          Balthazar Bratt who likes to play and move to
                                                                                          the classic songs from the Eighties as he ights.
                                                                                          “What we did in animation preproduction was
                                                                                          to look for the character’s way of moving,”
                                                                                          states animation director Julien Soret. “at the
                                                                                          end of that exploration, we found out that in
                                                                                          order to anchor Bratt in the Eighties, we had to
                                                                                          make him do his actions and dancing like [he
                                                                                          was] in the Eighties. that helped us a lot in
                                                                                          deining his way of moving.”
                                                                                            there were a couple of songs that the team
                                                                                          knew they wanted to use, “Bad [by michael
                                                                         Balthazar uses the
                                                                        power of ginormous   Jackson], because he is a villain and it’s such a
                                                                         balls of pink bubble   great song,” states Balda. “that was one of the
                                                                           gum in his city-
                                                                           takeover plans  irst things that we tried as a temp song. We
                                                                                          laid Bad up against that scene and built the
                                                                                          scene towards the song. another one is take
                                                                                          On me by a-ha and that comes from the fact
                                                                                          that at the studio we’re all animators, and if
                                                                                          you’re 12 years old in the Eighties that was the
                                                                                          irst music video which had any kind of
                                                                                          animation or rotoscoping in it, so that made a
                                                                                          big impression on me. the song is a wink to
                                                                                          the inspiration that it gave us back then.”

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