Page 16 - All About History 55 - 2017 UK
P. 16

The WriTTen Word



                                                                Gutenberg’s typeface           Typecases
                                                                The typeface taken from Medieval   Individual pieces of metal type
                                                                script came to be known as     were kept in boxes called cases.
                                                                ‘Gothic’ or ‘blackletter.’ Though   The smaller letters, which were
                                                                gradually superseded by many   used most often, were kept in
                                                                easier-to-read typefaces taken from   a lower case that was easier to
                                                                Roman sources, Gothic forms like   reach. Capital letters, which were
                                                                this survived in Germany until   used less frequently, were kept
                                                                after World War II. In Gutenberg’s   in an upper case. Because of this
                                                                day, several letters had various   old storage convention, we still
                                                                different versions, depending on   refer to small letters as ‘lowercase’
                                                                how they were used.            and capital letters as ‘uppercase’.
        GUTENBERG’S





        WORKSHOP







        MAINZ, GERMANY, 1454



        In autumn 1454, a group of German craftsmen
        did something totally new. Six men set type in   Forging the future
        frames, while 12 others worked at printing presses,   As well as building the
        positioning the typeset pages, laying on ink with   printing press, former
                                                    goldsmith Gutenberg also
        fat, soft leather ink-balls, positioning the paper,
                                                    invented the moveable type.
        sliding the pages into position, winding down the   This meant he couldn’t just
        press. Once they were done, they had changed the   go out and buy type piece,
        world: they had printed the first pages of the Bible.  he had to make them. This
                                                    involved heating the metal in
          Before Johannes Gutenberg’s invention, books
                                                    a furnace, scooping it up with
        were copied by scribes, letter by tedious letter,                                              Punch-making
                                                    ladle and pouring it into the
        over weeks or months, with errors galore. In 1450,   hand mould.                               The punch cutter used a sharp
        all of Europe’s books could have been held in                                                  steel tool to carve the shape of a
                                                                                                       letter in reverse on the end of a
        one building. Gutenberg’s printing press — using
                                                                                                       shank of metal. He sliced away
        movable type to imprint paper — multiplied the                                                 minute slivers of steel no more
        speed of production several hundred-fold, error                                                than 0.01 millimetres thick.
        free. Within 50 years, there were books by the                                                 They could be as little as a tenth
        million — an information revolution matched only                                               of that, just one micron thick
                                                                                                       (a thousandth of a millimetre, or
        by the invention of the internet.
                                                                                                       a twenty-five-thousandth of an
          Gutenberg’s genius lay in putting together two                                               inch), producing letters as fine as
        unrelated techniques: medal-making and wine-                                                   in a modern laser printer.
        pressing. Medals were ‘struck’ by hammering a
        ‘punch’ on to a round piece of metal. Grapes were
        compressed by wooden plates powered by screws
        and levers. It took Gutenberg 20 years to work out
        how to combine the two and then refine many
        other details, like how exactly to turn a medal-
        punch into metal type, choose the right texture of
        paper and make the right sort of ink.
          Gutenberg’s aim was to help unify Christendom
        by producing error-free prayer books and Bibles for
        the Church — and possibly make a profit doing so.
        Ironically, he achieved exactly the reverse. Some             Enter  the  matrix
        60 years later, the ability of ordinary people to             Gutenberg borrowed a technique from coin making,
        read the Bible without a priest sparked another               where the carved steel punch would be hammered
                                                                      on to a softer metal medal to create a ‘matrix’. This
        revolution — the Reformation — that blew Christian
                                                                      matrix was then placed inside the hand mould,
        unity apart forever. Sadly, Gutenberg didn’t profit           where the molten metal poured into it would fill the
        much, either. He fell out with his financier, who             punch’s imprint and would solidify as a type piece.
        called in his loans. Gutenberg died in 1468, his
        accomplishments largely unappreciated.

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