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A30    PEOPLE & ARTS
                         Friday 17 May 2019
                                                                      Tilda Swinton relishes her


                                                                      samurai turn in ‘Dead Don’t Die’



                                                                      By JAKE COYLE                which  is  competing  in  to the actors themselves —
                                                                      AP Film Writer               Cannes for the Palme d’Or,  among  them  Bill  Murray,
                                                                      CANNES,  France  (AP)  —  isn’t  a  Troma  film  by  any  Adam  Driver  and  Chloe
                                                                      Tilda  Swinton  feels  most  stretch.  But  it  shares  some  Sevigny. Swinton’s charac-
                                                                      at  home  at  the  Berlin  Film  genre  DNA.  Jarmusch’s  ter is named Zelda Winston,
                                                                      Festival,  but  she’s  steadily  film  is  about  a  small  town  a  riff  on  Jarmusch’s  nick-
                                                                      become  a  regular  at  the  named  Centerville  where  name  for  Swinton:  “Swilda
                                                                      Cannes Film Festival.        “polar  fracking”  alters  the  Hinson.”
                                                                      “I’m racking them up,” she  Earth’s  rotation  and  the  “Everybody’s  in  their  own
                                                                      says cheerfully the day af-  undead begin to walk the  clothes,” she says.
            Actress Tilda Swinton poses for photographers at the photo call
            for the film ‘The Dead Don’t Die’ at the 72nd international film   ter  the  premiere  of  Jim  streets. Swinton, who mem-  As  purposefully  outland-
            festival, Cannes, southern France, Wednesday, May 15, 2019.  Jarmusch’s  zombie  movie  orably  starred  as  a  thor-  ish  as  much  of  the  movie
                                                     Associated Press  “The Dead Don’t Die.”       oughly  well-read  vampire  is, its premise — where the
                                                                      “I  like  this  summer-holiday  in Jarmusch’s “Only Lovers  planet is horribly damaged
                                                                      feel.  These  are  wonder-   Left Alive,” plays the town’s  and a strange new-normal
                                                                      ful  family  reunions,”  Swin-  mortician.                takes hold — doesn’t sound
                                                                      ton  said  in  an  interview  at  “At some point at the end  far-fetched to Swinton.
                                                                      Cannes’  Carlton  Hotel.  “If  of our adventure with ‘Only  “It could easily be a docu-
                                                                      I’m with Jim Jarmusch, I’m  Lovers Left Alive,’ Jim said,  mentary, if we’re not care-
                                                                      with  the  Jim  team.  If  I’m  ‘Let’s  do  a  zombie  movie  ful.  We’re  getting  used  to
                                                                      with Bong Joon-ho, I’m with  next,’”  she  recalls.  “He  really  bad  things  happen-
                                                                      the  Bong  team.  If  I’m  with  said,  ‘What  do  you  want  ing that we couldn’t imag-
                                                                      Wes Anderson, I’m with the  to be?’ I said, pretty much  ine,”  she  says.  “We’ve  just
                                                                      Wes team. You’re having a  off  the  cuff,  ‘I  want  to  be  all  got  to  retain  perspec-
                                                                      summer  holiday  with  your  the  funeral  director  who’s  tive. It’s so easy to become
                                                                      friends  on  the  beach.  It’s  put out because the dead  befuddled. And it’s so easy
                                                                      sort of silly. I like the silliness  don’t  die.’  That  was  it.  He  to notice that some forces
                                                                      of it.”                      laughed  and  went  away.  are actively befuddling us.”
                                                                      But Swinton is nostalgic for  And  then  all  the  rest,  he  Swinton  recently  narrated
                                                                      one  aspect  of  the  festival  did.”                     Mark  Cousin’s  “Women
                                                                      that  has  waned  in  recent  For even Swinton, the char-  Make  Film:  A  New  Road
                                                                      years:  “the  Troma-ness  of  acter  is  an  eccentric  one.  Movie  Through  Cinema,”
                                                                      Cannes,”  she  says,  allud-  She  speaks  with  a  pro-  a  four-hour  documentary
                                                                      ing to the once ubiquitous  nounced  version  of  her  (for  which  12  more  hours
                                                                      Troma  Entertainment,  the  own Scottish accent and is  are  planned)  that  sheds
                                                                      aggressively   promotional  a master swordsman. Swin-     light on many of the under-
                                                                      indie factory of low-budget  ton, finally, is zombie-killing  appreciated  female  film-
                                                                      exploitation movies.         Scottish samurai warrior.    makers  from  throughout
                                                                      “You  don’t  get  assaulted  “I’ve  very  proud  of  that  cinema  history.  Speaking
                                                                      by  people  dressed  up  like  body count,” she says, smil-  to  reporters  Wednesday,
                                                                      life-sized  penises  like  you  ing. “I love it.”         Swinton  referenced  that
                                                                      used  to,”  says  Swinton.  There  are  winking  refer-   past  as  an  important  per-
                                                                      “That used to be great.”     ences throughout the often  spective in today’s gender
                                                                      “The  Dead  Don’t  Die,”  meta “The Dead Don’t Die”  equality struggles.q
                                                                      Julianne Moore on gender parity:

                                                                      ‘I believe in quotas’



                                                                      By The Associated Press      some measures to change
                                                                      CANNES, France (AP) —        our culture.”
                                                                      Julianne     Moore     said  “We will have to make ma-
                                                                      Wednesday that larger ef-    jor changes to reach pari-
                                                                      forts  are  needed  in  order  ty. That’s just a fact. So, I do
                                                                      for  the  movie  industry  to  believe  in  quotas.  I  really
                                                                      reach  gender  parity,  and  do,” added Moore.
                                                                      that  means  implementing  “I believe in trying to level
                                                                      quotas.                      the playing field for every-
                                                                      “We  will  not  have  gender  body  regardless  of  their
                                                                      parity  unless  everybody  gender  or  their  culture
                                                                      is  cooperating.  Women  or  ethnicity.  You  have  to
                                                                      are  not  a  special  interest  open doors.”
                                                                      group.  We’re  52  percent  While     gender     quotas   Julianne  Moore  poses  for
                                                                      of  the  global  population,”  haven’t  been  much  dis-  photographers  upon  arrival
                                                                      Moore said during an event  cussed     in    Hollywood,   at  the  premiere  of  the  film
                                                                      at the Cannes Film Festival.  they’re  more  common  in   ‘Les  Miserables’  at  the  72nd
                                                                      “In order to restore the bal-  Europe  where  filmmaking   international   film   festival,
                                                                      ance, I do think that there  is often partly supported by   Cannes,   southern   France,
                                                                                                                                Wednesday, May 15, 2019.
                                                                      will  be,  that  we  will  need  public money. q                      Associated Press
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