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138 Part III: Creating and Placing Ads

                                 Good ads persuade, convince, and nudge prospects into action, all without
                                 any apparent effort. They meld the verbiage with the visual and the message
                                 with the messenger so the consumer receives a single, inspiring idea.

                                 Creative teams will tell you that making an ad look so simple takes a lot of
                                 time and talent — and they’re right. If you’re spending more than $10,000 to
                                 place an ad or more than $100,000 on annual media buys, consider bringing
                                 in pros to help you out.

               Bringing in the pros

                                 Chapter 9 offers advice about hiring freelancers or an advertising agency to
                                 rev up your creative horsepower. For ad production, here are the resources
                                 you’ll most often rely upon:

                                    ߜ A copywriter writes the headline and motivating copy or, in the case of
                                        broadcast ads, the ad script. This person needs to be a good communi-
                                        cator who is capable of writing simply, clearly, and directly to your
                                        target prospects, using a single-minded approach to grab and hold the
                                        prospect’s attention and to achieve the ad objective.

                                    ߜ A designer arranges your ad so that it is visually appealing, using a
                                        layout that draws the viewer’s eye to the correct starting point before
                                        guiding it with effortless movement through the ad elements.

                                    ߜ A producer is necessary if you’re creating a radio or television ad, a
                                        video, or a multimedia show. The difference in quality and impact
                                        between do-it-yourself and professional productions is big and undeni-
                                        able. Your TV station or cable company can produce your ad, but realize
                                        that in return for low production costs, you’ll need to bring your own
                                        creativity to the task to avoid ending up with an ad that looks and
                                        sounds like all the other station-produced creations.

               Starting the creative process

                                 Ease into the creative process with these ideas:

                                    ߜ Review your positioning statement (see Chapter 7) and your Unique
                                        Selling Proposition, or USP. Your USP defines your competitive advantage.
                                        It describes the distinct benefit that consumers receive only by buying
                                        from your business. It is why your business is capable of drawing atten-
                                        tion, distinguishing itself from your competition, and winning prospect
                                        buying decisions and customer loyalty.

                                    ߜ List good things you’ve heard customers say about your product.
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