Page 19 - The Art of Learning by Josh Waitzkin_Neat plip book
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I   insisted   on   some   bad   habits   I   had   learned    in   the   par k—f or   exampl e,
                bringing out my queen early.  This is a typi cal beginner ’s error:  the  que en  is the

                most  powerful  piece  on  the  chessbo ard     so  peopl e  want  to  bring   he r  int o  the
                action  right  away.  Against  unskilled  oppo nen ts  who   can’t  parry  simpl e  attacks ,
                this  strategy  works  marvelously.  The  pr obl em  is  that   since  the  que en  canno t  be
                traded   for   any   of   the   opponent’s   pieces   witho ut    signi fi     loss,   she    can   be

                chased  all  over  the  board  while  the  other   guy   natur ally  brings   his  less  valua bl e
                but   quite   potent   warriors    into   play   and   simul taneous ly   swats   aside   the
                primitive  threats  of  the  lone  queen.   Logi cal  eno ugh,   but   I  resisted   be caus e  I
                had   won    so   many   early   games   with   a   wander ing   queen.   Bruc e   coul dn’t

                convince me with words—he had to pr ove it.
                    Bruce   decided   we   should   have   kno ck-do wn   dr ag-out    speed   chess   matche s
                like  the  ones  I  was  used  to  in  the  park.  When ever  I  made  a  fundam ent al  error,
                he   would   mention    the   principle   I   had    violated.   If   I   refused   to   budge ,   he ’d

                proceed  to  take  advantage  of  the  error  unt il  my  po sition  fell  apar t.  Over  time,
                Bruce  earned  my  respect  as  I  saw  the  correctnes s  of  hi s  ideas .  My  que en  started
                to  wait  until  the  moment  was  right .  I  learned   to  dev elop  my  pi eces,  to  cont rol
                the center, t o prepare attacks systematically.

                    Once   he   had   won   my   trust,   Bruce   taught    me   by   allowing   me   to   expr ess
                myself.  The  main  obstacle  to  overcome  was  my  impet uo sity.  I  was  a  talent ed
                kid  with  good  instincts  who  had  been  beat ing  up  on  street  hus tlers  who   lacke d
                classical   training.   Now   it   was   time   to   slow   me   do wn   and   prope rly   arm   my

                intuition,  but  Bruce  had  a  fine  line   to  tread.  He  had  to  teach  me  to  be   more
                disciplined   without    dampening     my   love   for   chess   or   suppr essing   my   na tur al
                voice.  Many teachers have no feel for thi s bal ance  and  try to force the ir stude nt s
                into  cookie-cutter  molds.  I  have  run   int o  qui te  a  few  egomaniacal  ins truc tors

                like   this   over   the   years   and   hav e   come   to   bel ieve   that    thei r   metho d   is
                profoundly  destructive  for  students  in  the    long   run—i n  any  case,  it  certainl y
                would not have worked with me.
                    I’m  sure  I  was  a  tough  kid  to  teach.  My  parents  raised  a  willful   chi ld.  Even

                as   a   young   boy   I   was   encouraged   to   take   par t   in   the   spi rited   dinne r   pa rty
                debates   about   art   and   politics   in   my   family’s   living   room.   I   was   taught    to
                express   my   opinion   and   to   think   abo ut    the   ideas    of   other s—no t   to   follow
                authority  blindly.  Fortunately,  Bruce’s  educat ional   phi losophy   fi    my  cha racter

                perfectly.  He  didn’t  present  himself  as  omni scient ,  and   he  han dl ed  hi mself  as
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