Page 41 - The Art of Learning by Josh Waitzkin_Neat plip book
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in   the   stormy   positions   in   which   I   thr ived.   Because   of   my   classical   che ss
                education  and  my  love  for  the  endgam e  as  well  as  crazy  middl egames,  I  was

                usually able to move the position toward o ne o f my strengt hs .
                    Things got a bit more complicated when  I was ten years old  and  I started  to
                compete    almost   exclusively   in   adul t   tour nam ents,   onl y   pl aying   ki ds    in   the
                Nationals    or   World   Championshi ps .   Thi s   was   a   big   change   becaus e   hi ghl y

                experienced     tournament     players   coul d   often   gui de   the   chess   position   int o
                closed,   strategical   battles   which   were   no t   to   my   liking.   As   I   cul tivated   my
                strengths,  I  also  had  to  take  on  the  more  abstract  elements  of  high- level  che ss
                so  I  could  compete  effectively  with  more  seasoned   oppo nen ts.  Just  as  mus cles

                get stronger when they are pushed,  go od  compet itors tend  to rise to the  level of
                the   opposition.     The   adult    chess   world    toughen ed    me    up,   made    me
                introspective  and  always  on  the  looko ut   for  fl   s  to  be  impr oved  on.  A  bo nus
                to  playing  grown-ups  is  that  whenev er  I  compet ed  in  a  scholastic  Nationa ls  I

                had tremendous confidence—these were onl y ki ds  after all.
                    The  transition  to  open  tournaments  also  forced  me  to  take  on  the  issue  of
                endurance.  In scholastic events,  a singl e chess game rarely lasts more tha n  thr ee
                hours.  In most adult competitions,  each pl ayer has  to make his or he r fi        st forty

                moves in two hours (a four-hour time cont rol).  Then  ther e is an addi tiona l ho ur
                for  each  player  for  every  succeeding  twenty  moves.  If  eno ugh  moves  are  pl ayed,
                a  game  can  continue  for  what  feels  to  a  chi ld   like   eterni ty.   Olde r  oppo ne nt s
                know  that  kids  have  less  stamina  for  long  bat tles,  so  they   sometimes  made   the

                games  drag  on  to  tire  me  out.  Once  in  Philadelphi a,  a  rut hl ess  fellow  made   me
                play  for  over  nine  hours.  I  was  ten  years  old  and  he  sat  stalling  at  the   bo ard  in
                front  of  obvious  moves  for  forty-fi   e  minut es  at  a  time.  It  was  terribl e,  but   a
                lesson  learned.  On  top  of  everything  else,  I  had   to  dev elop  the  abi lity  to  run  a

                mental marathon.
                    Chess  was  a  constant  challenge.  My  who le  career,  my  father   and  I  searche d
                out  opponents  who  were  a  little  stronger   than   me,  so  even  as  I  domina ted  the
                scholastic  circuit,  losing  was  part  of  my  regul ar  exper ience.  I  bel ieve  thi s  was

                important  for  maintaining  a  healthy   perspect ive  on  the  gam e.  Whi le  the re  was
                a  lot  of  pressure  on  my  shoulders,  fear  of  failure  didn’t  move  me  so  muc h  as  an
                intense   passion   for   the   game.   I   thi nk   the   arc   of   losing   a   heartbr eake r   be fore
                winning my       rst big title gave me license to compet e on t he edge.

                    This   is   not   to   say   that   losing   didn’t   hur t.   It   di d.   Ther e   is   somethi ng
                particularly   painful   about   being   beat en   in   a   ches s   gam e.   In   the    cour se   of   a
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