Page 66 - The Art of Learning by Josh Waitzkin_Neat plip book
P. 66

CHAPTER 8




                                            BREAKING STALLIONS










                I think a life of ambition is like existing  on  a balance  beam.  As a chi ld,  the re is

                no  fear,  no  sense  for  the  danger  of  falling.  The  beam   feels  wide  and  stabl e,  and
                natural   playfulness   allows   for   creative   leaps    and   fast   learni ng.   You   can   run
                around    doing   somersaults   and   flips ,   always   testing   your self   with   a   love   for
                discovery  and  new  challenges.  If  you  happen   to  fall  off—no   probl em,  you  jus t

                get  back  on.  But  then,  as  you  get  older,  you  beco me  more  aware  of  the   risk  of
                injury.  You  might  crack  your  head  or  twist  your   knee.  The  beam  is  na rrow  and
                you have to stay up there. P lunging o ff woul d be h um iliating.
                    While    a   child   can   make   the   beam   a   playgr ound,   hi gh- stress   pe rformers

                often  transform  the  beam  into  a  tight rope.  Any   slip  becomes  a  crisis.  Sudde nl y
                you   have   everything    to   lose,   the   rope   is   swaying   above   a   crater   of   fi  e,
                increasingly dramatic acrobatics are expect ed of you  but  the  air feels thi ck  with
                projectiles  aimed  to  dislodge  your  bal ance.  What   was  once  light   and  ins pi ring

                can easily mutate into a nightmare.
                    A  key  component  of  high-level  learni ng  is  cultivating  a  resilient  awarene ss
                that  is  the  older,  conscious  embodi ment  of  a  child’s  playful  obliviousness.  My
                chess  career  ended  with  me  teetering  on  a  string  abo ve  leapi ng  flames,  and  in

                time,   through   a   different   medium,   I   rediscovered   a   relations hi p   to   ambi tion
                and   art   that   has   allowed   me   the   freedo m   to   create   like   a   child   unde r   world
                championship  pressure.  This  journey,  from  chi ld  back  to  chi ld  aga in,  is  at  the
                very core of my understanding of succes s.

                    I believe that one of the most critical factors in the  transition  to becoming  a
                conscious    high   performer   is   the   deg ree   to   whi ch   your    relations hi p   to   your
                pursuit  stays  in  harmony  with  your   uni que    di spo sition.   Ther e  will  ine vitabl y
                be  times  when  we  need  to  try  new  ideas ,  release  our   cur rent  kno wledge   to  take
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