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in  new  information—but  it  is  critical  to  integrate  thi s  new  information     in   a
                manner  that  does  not  violate  who  we  are.  By  taking  away  our   natur al  voice,  we

                leave   ourselves   without   a   center   of   gr avity   to   bal ance   us    as   we   na viga te   the
                countless  obstacles  along  our  way.  It  might   be  interesting   to  examine ,  with  a
                bit more detail, h ow this happened t o me.


                                                          *      

                Mark    Dvoretsky    and   Yuri   Razuvaev   are   the   pi llars   of   the   Rus sian   scho ol   of
                chess.  Considered  by  many  to  be  the  two  gr eatest  chess  trainers  in  the   world,

                these  two  men  have  devoted  their  lives  to  carving  talent ed  young  che ss  masters
                into world-class competitors. They are both  armed with  an enormous  repe rtoire
                of  original  educational  material  for  top- caliber   pl ayers  and  you  woul d  be   ha rd-
                pressed  to  find  a  Grandmaster  out  ther e  who   was  not  serious ly  infl     nc ed  by

                one   of   them.   Between     the   ages   of   sixteen   and   twenty-one,    I   ha d   the
                opportunity    to   work   extensively   with   both   of   thes e   legendar y   coache s   and   I
                believe  the  implications  of  their  di ametrically  opposed  pedagogical  styles  are
                critical for students of all endeavors. T hey  were certainly critical for me.

                    When     you   meet   Yuri   Razuvaev,   you   feel   calmed.   He   has    the    humbl e,
                peaceful  air  of  a  Buddhist  monk  and  a  sweet,  slight ly  ironi c  smile.  If  maki ng  a
                decision,  for  example  about  where  to  eat,  he  will  shr ug  and  gen tly  impl y  tha t
                both   possibilities   would   find   him   qui te   cont ent.   His   languag e   is   similarly

                abstract.  His  mildest  comments  feel  like  natur al  koans,  and  in  conv ersation  it
                is   all   too   easy   to   let   gems   slip   thr ough   your    mind   like   a   br eeze.   Whe n   the
                chessboard    comes    out,   Razuvaev’s   face   settles   int o   a   relaxed   focus ,   hi s   eyes
                become     piercing,   and   a   razor-shar p   mind   comes   to   bear.   Ana lyzing   with

                Razuvaev,  I  consistently  felt  as  though  he  was  pen etrating  the  deepe st  wrinkl es
                in  my  mind  through  my  every  chess  move.  After  just  a  few  hour s  of  work  with
                him,  I  had  the  impression  he  understood  me  more  trul y  than   almost  any bo dy
                in my life. I t was like playing chess with Yoda.

                    Mark  Dvoretsky  is  a  very  different   type   of  personal ity.   I  believe  he   is  the
                most   important     author   for   chess   professional s   in   the   world.   His   bo oks    are
                extensive  training  programs  for  world- class  pl ayers  and  are  studi ed  religi ous ly
                by   strong   International   Masters   and   Grandm asters.    “Readi ng”    a   Dvoretsky

                book takes many months of hard work,  becau se they  are so den sely pa cke d  with
                ideas  about  some  of  the  more  esoteric  elements  of  serious   chess  thi nki ng.   It’s
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