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bold experiments on formality by fusing the materials of Oriental
              and Western art for the vitality of calligraphy with the times. The
              elements of color, which seem to have been improvised and
              represented without purpose in Hancheon’s experiments, will
              form a world of meaning in the numerous associations and organic
              forms produced by nature.
              It is believed that the symbols and letters of ancient Northeast Asia,
              which he continues to study, will have motility, space, and form
              in his architectural imagination, creating a cosmic architecture.
              An omnidirectional architecture that creates a new formality of
              calligraphy depends on his experiments and explorations with
              tradition.

































































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