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                                              Still Life




                                              Still lives are the representations of
                                              lifeless objects, which are arranged
                                              according to formal artistic and aes-
                                              thetic criteria.

                                              This  genre  emancipated  itself  from
                                              landscape and portrait paintings at
                                              the beginning of the 17th century - in
                                              the Baroque period. There exist, how-
                                              ever, early examples of still lives dat-
                                              ing all the way back to Ancient Rome.
                                              The term still life, referring to a Dutch
                                              term, did not appear in the German
                                              language until the middle of the 18th
                                              century.


                                              A French term - la nature morte - was
                                              employed in the theoretical discus-
                                              sions of the French Academy in the
                                              17th century. The term still life was
                                              documented in the middle (or end) of
                                              the 18th century. By the early 19th cen-
                                              tury, the term still life had been estab-
                                              lished as the term for the genre in the
                                              various translations (stilleven, nature
                                              morte, natura morta, still life, etc.).


                                              Georg Flegel:
                                              © public domain.






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