Page 219 - Death of the Darwinist Dajjal System

Adnan Oktar (Harun Yahya)

But this is not true.
The fictitious entity known as Nebraska Man was based on a sin-
gle tooth. As we have already described in detail, the tooth in question
belonged to a wild pig. In other words, a conviction formed by condi-
tioning people with visual stimuli was produced on the basis of a molar
tooth belonging to a wild pig. Images of the mythical family of
Nebraska Man were then produced in some way from this pig tooth. To
put it another way, enormous cheating went on, and people were bla-
tantly lied to.

This method of conditioning is still going on. Pictures of fish start-
ing to move from the sea onto dry land and whose fins are gradually
turning into legs are total figments of the imagination. Darwinists use
the same methods in order to make people believe in such a passage,
which is devoid of any evidence. Placing a series of monkeys gradually
becoming more and more erect and turning into humans alongside
such reports in scientific journals or web sites carrying this deception
makes it possible for the issue to be equated with evolution. Shown this
report and accompanying visual indoctrination, any reader may per-
ceive this as part of, or even evidence for evolution. Most of the time
they do not even read the words in the reports, but these pictures rem-
iniscent of evolution remain in their memories. The same people are
subjected to the same conditioning from pictures of evolution placed
alongside reports about cloning or the Human Genome Project, but

which actually have nothing to do with it. The impression is given that
any scientific progress in the Human Genome Project is actually scien-
tific proof of evolution.
This fraudulent visual conditioning is a typical element of
Darwinist propaganda. It is one of the most frequently employed psy-
chological conditioning techniques. The fact remains, however, that
elaborate reconstructions based on a fossil skull are just works of art
that if nothing else, certainly reflect the imaginative powers of different
artists. Just as in the example of Nebraska Man.

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