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BiTS:  I've been a fan of Jules Holland for many years and been to many of his
    concerts. He is an absolutely superb piano player, no doubt about that, but I really

    love the band as well. Did you like the band?

    JP:  I don't think I heard much of the band that night, not with him playing.


    BiTS:  Oh, okay. Well, you need to search them out and listen to them because it's a
    really great 1940s big band sound. It’s absolutely wonderful.

    JP:  Sounds good.


    BiTS:  Jerron, tell me something about the instruments that you play. I've heard you
    play the banjo. I've heard you play the guitar, but I gather you're a fiddler as well,
    and a lot of other instruments too.


    JP:  Ah yeah, I play the fiddle, and I play the piano and play the harmonica, which is
    probably why I'm invited to the DeFord Bailey Festival.































              Frank Fairfield perfects the modern primitive sound of roots
              music | The Australian




    BiTS:  All right. Okay, who was of course, an early harmonica player of the blues.

    JP:  On the Grand Ole Opry.

    BiTS:  How did you learn to play these instruments? Did you have lessons, or did you

    just pick it up naturally?

    JP:  Well, lessons are natural, you know [chuckles]. You don't learn to operate heavy
    machinery without a few lessons and pianos are some of the heaviest machinery.

    The  banjo  is  powerfully  loud  and  heavy  machinery,  so  you  want  a  little  bit  of
    instruction before you go knocking peoples’ eardrums down. But yeah, I started out

    with fiddle lessons and, like I said, I took bluegrass banjo lessons at McCabe’s, which
    I will be playing at in mid-December. So yeah, life starts out with a bit of tutelage and
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