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By the age of 15 he knew he wanted to play music for a living, and subsequently
    moved to Los Angeles. He became friendly with R&B legend Johnny Otis, who took
    him under his wing, and also learned from two other residents of the city - Johnny

    Guitar Watson, and future James Brown guitar player Jimmy Nolen. By the mid to
    late 1950s he had his own band, The Heartbeats, and later worked in the backing
    band for Dale Hawkins (he of ‘Suzy Q’ fame), replacing a certain James Burton, after
    which he had a stint of around one month in the backing band of Hawkins’ cousin

    Roy. His job during that time was effectively to teach permanent guitar player Robbie
    Robertson what he was supposed to be playing, and his view of Roy was unequivocal
    -  “he  was  really  very,  very  good.  The  most  remarkable  guitarist  I  had  seen”.

    Eventually, of course, Robbie, and the others, left to form their own group - called
    The Band.

    By the end of the 1950s Roy Buchanan was already starting to try to make a career
    in his own name…




    H         ere we switch to the early days of Danny Gatton, who was born on September

              4th 1945 - almost exactly 6 years after Roy.




    Daniel Woods Gatton was born in Washington, to a mother who was a country music
                                                      fan and a father who had played guitar in a jazz
                                                      band  -  although  apparently  not  on  a

                                                      professional  basis,  and  anyway  he  stopped
                                                      doing  so  (and  got  rid  of  the  guitar)  when
                                                      Danny was a young lad.


                                                      However, this young lad appeared to have a gift
                                                      for music, and graduated from a cheap Stella
                                                      acoustic to a rather more expensive Martin by

                                                      the time he was 11 years old. The following
                                                      year  he  traded  that  model  for  a  semi-solid
                                                      Gibson  ES350  (as  used  by  Chuck  Berry),  by
                                                      which time he had been performing in public

                                                      for a year. That’s two pretty serious guitars for
                                                      a lad of that age, but his playing skill bore no
                                                      relationship  to  his  age.  He  had,  like  Roy

                                                      Buchanan, also learned steel guitar, and used
                                                      this technique (with the slide over, rather than
                                                      under the guitar neck) to play incredible slide
                                                      guitar,  with  anything  that  came  to  hand,

                                                      including  an  amplifier  tube,  but  more  often
    than not a half empty bottle of beer!
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