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“finally, after all these years, I did something I like”, but neither album was much of
    a seller, and “Redneck Jazz” was actually financed by his Mother. Instrumental jazz
    based albums no longer sold as they had in the era of such artistes as Dave Brubeck.


    Danny Gatton said he classed his music as ‘Redneck Jazz’, although he was also known
    as ‘The Humbler’ - the reason for that was because every guitarist who got on stage
    with him was indeed ‘humbled’! Summing up his own skills, he said “I can’t come on

    as Mister Showbiz, ‘cause I’m not. I’m the local guy next door, you know, that just
                                                                                      happens to play better
                                                                                      than most people”!


                                                                                      Both       Gatton        and
                                                                                      Buchanan  hated  the
                                                                                      way        that      record
                                                                                      companies  tried  to

                                                                                      push their music into
                                                                                      a  particular  genre,  in
                                                                                      order  to  make  it

                                                                                      marketable. As Gatton
                                                                                      said      in      a     later
                                                                                      interview,             when
                                                                                      complaining  that  his

                                                                                      eclecticism resulted in
                                                                                      his failure to secure a
                                                                                      good record deal - “we

                                                                                      just  weren’t  content
                                                                                      playing  what  people
                                                                                      wanted  to  hear.  We
    figured we could educate them into something more. Wrong”!


    Incredibly, he actually did achieve a deal with a major label, when Elektra decided
    to  offer  him  a  7  album  contract,  starting  with  “88  Elmira  Street”  in  1991,  and
    following it with “Cruisin’ Deuces” in 1993. The 2 albums got good reviews, but didn’t

    sell well, and he was released from his contract.

    In between those albums he had recorded ‘New York Stories’ for Blue Note, which
    was a contemporary jazz album, and in 1994 came ‘Relentless’, on the small Big Mo
    label, which featured jazz, blues and shuffle music.


    But his heart wasn’t really in it. In a familyvideo recorded at Christmas 1993 he said
    he had “had it with the business”. His daughter, Holly, who was keen on music, was
    told by him in no uncertain terms that she should, under no circumstances, get

    involved with the music business. Even more worrying, according to his wife Jan,
    was the fact that he would periodically lose the feeling in the left side of his body,
    and his hand, or his entire arm, would go numb. She thought he had had a number

    of small strokes.
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