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you get real vocals on some of the modern dance music and I still enjoy that as well,

    yeah. But I guess I'm having my midlife crisis now and I've gone back to the stuff I
    was listening to as a student, which was stuff like Hendrix and a lot of the blues greats,
    and it's a real joy to get to sing those out in the venues. I love it.


    BiTS:  Yeah, it's absolutely terrific. First of all, before we start talking about the current
    record, tell me about the “Live in Prague” one.

                                                                               PF:  Okay, well, because my

                                                                               band, Kava Kava, had done an
                                                                               awful lot of dates in the Czech
                                                                               Republic,  we'd  been  doing

                                                                               ten  date  tours  in  that
                                                                               particular country, I'd got to
                                                                               know a number of really cool

                                                                               songs and I collaborated a bit
                                                                               with a friend of mine on his

                                                                               band  called  Urfaust,  which
                                                                               featured  Gary  Lucas,  an
                                                                               American guitarist who had
                                                                               co-written  a  lot  of  the  Jeff

    Buckley stuff and had collaborated with people like Lou Reed and all kinds of greats.

     Gary was in this band of Urfaust, and I ended up doing a blues project with Richard
    Mader, the guy who ran the studio, and we did it on breakfast telly. We played a

    number  of  kind  of  blues  festivals  out  there  and  that  was  really,  really  cool  and
    eventually  we  did  an  album  called  “Dark  Side  Of  The  Blues  (Pat  Fulgoni  Live  In

    Prague)”, but obviously like it was hard to
    go outside the Czech Republic because the
    musicians were mainly from Czech. I think
    I parked it for a number of years because

    I was busy with other stuff, and then just
    before lockdown, I really had the desire to

    form a blues band, and I ended up getting
    a call from this guy that was putting on a
    gig for a local food bank in Huddersfield.

    He said, I've seen your blues. I really want
    you to play at this benefit gig, and I was
    going well it's highly unlikely that we can

    persuade the Czech musicians to go over
    and it's going to cost a lot of money if we
    did so it wouldn't be raising much for the

    food bank, and so he persuaded me to form
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