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motivated. I know that's the truth about me, and when somebody tells me that I can't

    do something or that I'm not good enough, I am very highly motivated.

    I used to smoke cigarettes back in the day and my boyfriend at the time also smoked
    and I said, I need to quit smoking because I'm a singer and I can't smoke and sing. I
    want to be in this for the long haul. And so he says, well, why don't we start a running

    program? I said, okay. He could run a mile the first
                                                                                         Bill Russo
    day and I couldn't run around the block, and I was
    so angry at the cigarettes that I was so out of shape,
    I just threw them in the drawer, and I never smoked
    again.


    BiTS:  You graduated eventually with a degree in
    music,  I  guess,  from  Columbia  College.  Did  that
    change your life?


    LM:  Actually, it did. Actually, it did because Columbia
    College, having that piece of paper from Columbia
    College filled a gap in my soul. And Columbia College,
    when I went there, I don't know what it's like now,

    I've never been back since I graduated, but at that
    time,  it  was  extremely  nurturing  for  artists  and
    creative types. I got such a great education there,
    musical  education.  My  department  chair  was  the

    great Bill Russo, who was an arranger. He learned
    his craft from Ellington. He was in Ellington’s band as an arranger, and he worked
    for Stan Getz, and he was first with Stan Getz and did his arrangements. This was the
    guy that was leading the department.


    BiTS:  At what stage, Liz, did you consider yourself to be a professional musician?
    Was there any kind of changing point when you got your own band or something
    like that?

    LM:  Oh, I always had my own band. The thing about that was that nobody else wanted

    to do it.

    BiTS:  Right.

    LM:    [Chuckles]  Nobody  else  in  the  band  wanted  to  be  the  band  leader,  make
    decisions, book the gigs, do the marketing and publicity. It’s like that children's tale,

    The Little Red Hen. Do you remember that one? It's like The Little Red Hen asked the
    other animals, who will help me thresh the wheat so that we can have flour and I can
    make a cake? And all the other animals say, not I, not I, said the rat, not I, said the cat.

    I'll do it myself, said the little red hen, and she did. So that was how I ended up being
    a band leader, and I’ve had my own band in Chicago for over 30 years.

    BiTS:  You've been called by somebody, a true blues singer and a fervent promoter
    of the blues, a renaissance woman. How does that make you feel?
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