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whatever afterwards. So it’s all based around a live performance and that continued
    with these tracks, apart from ‘Forevermore And Again’, which was the one that Sam
    found. He was sitting on her kitchen floor, strumming an acoustic guitar and humming

    a melody and he sang the odd line of lyric, and it was the title line, and then Sam found
    some lyrics on his phone, which were based around that title. So they were obviously
    the words for that song. Then I used a lot of expensive software to separate Matt’s

    humming and the guitar, so I had them separately.

    BiTS:  There's clearly quite a lot of expertise in management of software that you've
    undertaken. Tell me something about what was actually my favourite track on the

    album, and that is the Albert King song ‘Breaking Up Somebody's Home’, which I think
                                                              the version here is absolutely fabulous.

      Albert King                                             PL:  Oh, thank you. That's the only cover

                                                              version  on  the  album.  It's  a  song  we've
                                                              done  live  for  many  years,  and  it  never
                                                              really seemed to have a home on an album,

                                                              although we had recorded it. It’s a special
                                                              arrangement.  We'd  never  played  this
                                                              arrangement live because when we played

                                                              it  live,  we  had  all  sorts  of  audience
                                                              participation  and  sing  along,  and  Matt
                                                              would  walk  around  the  venue  with  his

                                                              guitar  and  his  wireless  and  sort  of  play
                                                              quite extended solo. We thought, that’s no
                                                              good, so we did a special arrangement of

                                                              it just for the studio, and so yeah, that was
                                                              a real one off that one. And that song, that

                                                              vocal, that track had no vocal on it and so
                                                              the vocal on that came from a performance
                                                              we  did  at  the  Cranleigh  Arts  Centre  in
    2022. So I was able to take the vocal from there and put it on the recording.


    BiTS:  Absolutely terrific. And forgive me for using such a blunt expression, you really
    can't see the joins. There's no way that you can tell that this is anything otherwise
    than a normally recorded record.


    PL:  I'd like to think that's true, and it was a normally recorded record apart from the
    guitar part is what Matt played in studio that day, which he would have wanted to
    replace, and he hadn't done a vocal, so that came from a live performance. So yeah, it

    was all about live playing with us, really. Matt was much more happy playing live than
    he was recording, actually. As a process, he found recording a bit intimidating.


    BiTS:  Oh, did he? That's interesting. Why do you think that was?
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