Page 17 - DILMUN NO 19
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‫ﺫﻛﺮﻳﺎﺕ ﻋﻦ ﺍﺣﺮﻕ‬

‫ﺍﻟﺼﻴﻒ ﻭﺪﺘﻤﺗ ﺇﻟﻰ ﺃﺭﻌﺑﺔ ﺃﺷﻬﺮ ﺃﻣﺎ ﺗﺠﺎﺭ ﺍﻟﻠﺆﻟﺆ ( ‪،‬ﻃﺍﻭﺶﻳ ) ﻓﺈﻥ ﺃﻏﻠﺒﻬﻢ ﻣﻦ ﻋﺎﺋﻻﺕ ﻛﺒﻴﺮﺓ‬
‫ﻛﻌﺎﺋﻠﺔ ﺑﻦ ﻣﻄﺮ ﻭﻦﺑ ﻫﻨﺪﻱ ﻭﺍﻮﺠﻟﺩﺭ ﻭﺍﺎﻨﻤﻟﻪﻌﻧ ﻭﺍﻟﺰﻳﺎﻧﻲ ﻭﻓﺨﺮﻭ ﻭﺟﻤﻴﻌﻬﻢ ﻳﺘﻌﺎﻣﻠﻮﻥ ﺑﺎﻟﻠﺆﻟﺆ ﻭﻛﻤﺎ‬
‫ﺫﻛﺮﺕ ﺃﻥ ﺣﻴﺎﺓ ﺍﻟﻐﻮﺹ ﻛﺎﻥ ﺎﺒﻋﺭﺓ ﻋﻦ ﺃﺭﺑﻌﺔ ﺃﺷﻬﺮ ﻫﻲ ﻣﻮﺳﻢ ﺍﻟﻐﻮﺹ ﻭﺑﺎﻗﻲ ﺃﻳﺎﻡ ﺍﻟﻐﻮﺹ ﻛﺎﻥ‬
‫ﺍﻟﻨﺎﺱ ﻳﻘﻮﻣﻮﻥ ﺑﺄﻳﺔ ﻭﻇﻴﻔﺔ ﺻﻐﻴﺮﺓ ﻭﻛﺎﻥ ﺃﻏﻠﺒﻬﻢ ﻳﺠﻠﺴﻮﻥ ‪ 2‬ﺍﻟﻤﺪﻳﻨﺔ ﻳﻨﺘﻈﺮﻭﻥ ﻣﻮﺳﻢ ﺍﻟﻐﻮﺹ‬
‫ﺍﻟﻘﺎﺩﻡ ﻭﻳﺘﺴﻠﻔﻮﻥ ﻣﻦ ﺍﻟﻨﻮﺧﺬﻩ ﻭﻫﺬﺍ ﺍﻟﺪﻳﻦ ﺃﺩﻯ ﺇﻟﻰ ﻣﺸﻜﻠﺔ ﻛﺒﻴﺮﺓ ﺣﺪﺛﺖ ‪ 2‬ﺃﺣﺪ ﺍﻟﺴﻨﻮﺍﺕ ﻣﻦ‬
‫ﺍﻟﺜﻻﺛﻴﻨﻴﺎﺕ (ﺎﻣ ﺃﻖ‪،‬ﻃ ﻋﻠﻴﻬﺎ ﺛﻮﺭﺓ ﺍﻟﻨﻮﺍﻭﻳﺲ) ﻓﻔﻲ ﺗﻠﻚ ﺍﻟﺴﻨﺔ ﺩﺧﻞ ﻣﺠﻤﻮﻋﺔ ﻣﻦ ﺍﻟﻨﻮﺍﻭﻳﺲ‬
‫ﻣﺮﻛﺰ ﺍﻟﺸﺮﻁ ﻭﺃ‪،‬ﻘ‪،‬ﻃﺍ ﺍﻟﻤﺴﺎﺟﻴﻦ ﻭﻋﻤﻠﻮﺍ ﺷﻐﺐ ﻛﺒﻴﺮ ﻭﺍﺟﻬﺘﻪ ﺍﻟﺤﻜﻮﻣﺔ ﻑ ﺍﻟﻤﺤﺮﻕ ﻭﻗﻀﺖ ﻋﻠﻴﻪ ‪،‬‬
‫ﺣﻴﺚ ﺣﺎﻭﻟﺖ ﻗﺪﺭ ﺍﻟﻤﺴﺘﻄﺎﻉ ﺃﻥ ﺗﺼﻠﺢ ﻣﻦ ﺃﻭﺿﺎﻉ ﺍﻟﻐﻮﺍﺻﻴﻦ ﻣﻊ ﺃﻥ ﺃﻭﺿﺎﻋﻬﻢ ﻍ ﺗﻠﻚ ﺍﻟﻔﺘﺮﺓ ﻣﻦ‬
‫ﺍﺰﻟﻦﻣ ﺃﻓﻀﻞ ﻣﻦ ﻏﻴﺮﻫﻢ ﻣﻦ ﺃﺑﻨﺎﺀ ﺍﻟﺨﻠﻴﺞ ﻭﻣﻤﺎ ﻳﺬﻛﺮ ﺃﻥ‪ 2‬ﺷﻤﺎﻝ ﻣﻨﻄﻘﺔ ﺍﻟﻤﺤﺮﻕ ﻛﺎﻧﺖ ﻣﻘﺒﺮﺓ‬
‫ﺗﺤﺘﻮﻱ ﻋﻠﻰ ﺗﻻﻝ ﻣﻦ ﺍﻟﺮﻣﺎﻝ ﺣﻴﺚ ﻳﻨﺎﻡ ﻓﻴﻬﺎ ﻣﺠﻤﻮﻋﺔ ﻣﻦ ﺍﻟﻨﺎﺱ ﺗﺄﻲﺗ‪ 2‬ﻣﻮﺳﻢ ﺍﻟﻐﻮﺹ ﻣﻦ ﻛﻞ‬
‫ﺳﻨﺔ‪ 2‬ﻣﻮﺳﻢ ﺍﻟﺼﻴﻒ ﻭﻫﻢ ﻣﻦ ﺟﻨﺴﻴﺎﺕ ﻣﺨﺘﻠﻔﺔ ﺑﻌﻀﻬﻢ ﻣﻦ ﺍﻟﺒﺼﺮﺓ ﻭﺯﻧﺠﺒﺎﺭ ﻭﺃﻓﺮﻳﻘﻴﺎ ﻭﻛﺎﻧﻮﺍ‬
‫ﻳﻨﺎﻣﻮﻥ ‪ 2‬ﺍﻟﻠﻴﻞ ﻑ ﺍﻟﻨﻄﻘﺔ ﺍﻟﻤﻔﺘﻮﺣﺔ ﺑﻌﻴﺪﺍ ﻋﻦ ﺍﻟﺤﺮ ﺩﺍﺧﻞ ﻣﻨﻄﻘﺔ ﺍﻟﻤﺤﺮﻕ‪ ،‬ﻭ‪ 2‬ﺍﻋﺘﻘﺎﺩﻱ ﺃﻥ‬
‫ﺍﻟﻜﺜﻴﺮ ﻣﻦ ﺍﻟﻔﻨﻮﻥ ﺍﻷﺟﻨﺒﻴﺔ ﺍﻟﺘﻲ ﺗﻌﻠﻤﻨﺎﻫﺎ ‪ 2‬ﺍﻟﺒﺤﺮﻳﻦ ﺟﺎﺀﺕ ﻣﻦ ﻫﺆﻻﺀ ﻷﻥ ﻫﺆﻻﺀ ﻛﺎﻧﻮﺍ ﺑﺎﻟﻠﻴﻞ‬
‫ﻳﻐﻨﻮﻥ ﻭﺗﺴﻤﻊ ﻟﻬﻢ ﺍﻟﻐﻨﺎﺀ ﻳﺘﺮﺩﺩ ﻟﻔﺘﺮﺓ ‪،‬ﻃﺔﻠﻳ ﻣﻦ ﺍﻟﻮﻗﺖ ﻭﺃﻋﺘﻘﺪ ﺃﻥ ﺍﻟﻜﺜﻴﺮ ﻣﻦ ﻓﻨﻮﻧﻨﺎ ﺟﺎﺀﺕ ﻣﻨﻬﻢ‪.‬‬
‫ﻭﻟﻘﺪ ﻛﺎﻥ ﻟﻘﻴﺎﻡ ﺑﻌﺾ ﺍﻟﻤﻄﺮﺑﻴﻦ ﺑﺘﺴﺠﻴﻞ ﺃﻏﺎﻧﻴﻬﻢ ‪ 2‬ﺍﻟﻌﺮﺍﻕ ﺍﻟﻔﻀﻞ‪ 2‬ﻧﻘﻞ ﺑﻌﺾ ﺍﻟﻔﻨﻮﻥ ﺣﻴﺚ‬
‫ﻛﺎﻧﻮﺍ ﻳﻤﻜﺜﻮﻥ ﻣﺪﺓ ﺗﺼﻞ ﺇﻟﻰ ﺃﺭﺑﻌﺔ ﺷﻬﻮﺭ ﻟﺬﺍ ﻓﺈﻧﻬﻢ ﺟﻠﺒﻮﺍ ﻋﻨﺪ ﻋﻮﺩﺗﻬﻢ ﺇﻟﻰ ﺍﻟﺒﺤﺮﻳﻦ ﺍﻟﻜﺜﻴﺮ ﻣﻦ‬
‫ﺍﻟﻔﻨﻮﻥ ﻛﺎﻟﺒﺴﺘﺎﺕ ﺍﻟﻌﺮﺍﻗﻴﺔ ‪ ،‬ﺃﻣﺎ ﺍﻟﻔﻨﻮﻥ ﺍﻷﻓﺮﻳﻘﻴﺔ ﻣﺜﻞ ﺍﻟﻠﻴﻮﻩ ﻭﻏﻴﺮﻫﺎ ﻓﺈﻧﻨﺎ ﻧﻌﺘﻘﺪ ﺇﻧﻬﺎ ﺟﺎﺀﺕ ﻣﻦ‬
‫ﺍﻷﻓﺎﺭﻗﺔ ﺍﻟﺬﻳﻦ ﻛﺎﻧﻮﺍ ﻳﺄﺗﻮﻥ ﻟﻤﻮﺳﻢ ﺍﻟﻐﻮﺹ ﻭﻳﻐﻨﻮﻥ ﻭﻳﺮﺩﺩﻭﻥ ﺃﻏﺎﻧﻴﻬﻢ ‪،‬ﻃﻝ ﻫﺬﻩ ﺍﻟﻔﺘﺮﺓ ﻍ ﺷﻤﺎﻝ‬

                       ‫ﻣﻨﻄﻘﺔ ﺍﻟﻤﺤﺮﻕ ﺣﻴﺚ ﺍﻟﺘﻻﻝ ﻭﻗﺪ ﺷﺎﻫﺪﺗﻬﺎ ﻭﺍﺳﺘﻤﺮ ﻭﺟﻮﺩﻫﺎ ﻟﻔﺘﺮﺓ ‪،‬ﻃﻠﻳﺔ‪٠‬‬
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