Page 121 - DILMUN NO 20

‫ﺇﻃﻻﻟﺔ ﻋﻠﻰ ﻓﻦ ﺍﻟﻮﺍﺳﻄﻲ ﻣﻦﺧﻻﻝ ﻣﻘﺎﻣﺎﺕ ﺍﻟﺠﺮﻳﺮﻱ‬

‫ﻭﺣﻈﻴﺖ ﺍﻟﻤﻘﺎﻣﺎﺕ ﺑﺎﻫﺘﻤﺎﻡ ﺍﻟﻔﻨﺎﻧﻴﻦ ‪ ،‬ﺎﻜﻓﻥ ﻧﺘﺎﺟﻬﺎ ﻋﺸﺮﺓ ﻣﺨﻄﻮﻃﺎﺕ ﻣﺰﻭﻗﺔ ﺑﺎﻟﺘﺼﺎﻭﻳﺮ‬
‫ﻮﻣﺯﻋﺔ ﻋﻠﻰ ﺍﻟﻤﻜﺘﺒﺎﺕ ﺍﻟﻬﺎﻣﺔ‪ )'(.‬ﻭﺪﻗ ﺪﺼﺗﻯ ﺮﻟﺎﻬﻤﺳ ﻋﺪﺩ ﻣﻦ ﺍﻟﺮﺳﺎﻣﻴﻦ ﺍﻟﻬﺎﻣﻴﻦ ﻳﺘﻘﺪﻣﻬﻢ‬
‫ﺍﻟﻤﺼﻮﺭ ﻳﻌﻲ ﺑﻦ ﻣﺤﻤﻮﺩ ﺍﻟﻮﺍﺳﻄﻲ ﺍﻟﺬﻱ ﻧﺮﺍﻩ ﻳﺘﻔﻖ ﻣﻊ ﻏﻴﺮﻩ ‪ 2‬ﺍﻟﻬﺪﻑ ﻭﺍﻟﻐﺎﻳﺔ ‪ ،‬ﻟﻜﻨﻪ ﻳﺘﺠﺎﻭﺯ‬

‫ﺍﻟﻤﻨﻤﻨﻤﺎﺕ ﺍﻷﺧﺮﻯ ‪ 2‬ﺍﻷﺎﺻﻟﺔ ﻭﺍﺮﻔﺘﻟﺩ ﻍ ﺍﻟﺒﺤﺚ ﻋﻦ ﺣﻠﻮﻝ ﻓﻨﻴﺔ ﻣﺒﺘﻜﺮﺓ‪.‬‬

‫ﻭﻗﺪ ﺍﺳﺘﻮﺣﻰ ﺍﻟﻮﺍﺳﻄﻲ ﻣﻦﺧﻻﻝ ﻫﺬﺍ ﺍﻟﻤﺆﻟﻒﻮﺻﺭﺓ ‪ ،‬ﻓﻜﺎﻥ ﻟﻪ ﻣﻨﻬﺎ ﺫﻟﻚ ﺍﻟﺠﺴﺪ ‪ ،‬ﻭﻟﺼﺎﺣﺐ‬
‫ﺍﻟﻤﻘﺎﻣﺔ ﺍﻟﺮﻭﺡ ﺍﻟﺘﻲ ﻳﻨﺒﺾ ﺎﻬﺑ‪ ،‬ﻓﺎﺳﺘﻄﺎﻉ ﺃﻥ ﻳﺴﺘﺨﻠﺺ ﻣﻦ ﺷﺊ ﻣﺎﺩﻱ ﺷﻴﺌﺎ ﻣﻌﻨﻮﻳﺎ ‪ ،‬ﺗﻔﻴﺾ ﻓﻴﻪ‬

‫ﺗﻠﻚ ﺍﻟﺤﻴﺎﺓ ﺍﻟﺘﻲ ﺗﻤﺜﻠﻬﺎ ﺭﻳﺸﺘﻪ ﺑﻌﺪ ﺃﻥ ﻓﺎﺿﺖ ﻓﻴﻪ ﺗﻠﻚ ﺍﻟﺤﻴﺎﺓ ‪ ،‬ﺍﻟﺘﻲ ﺟﺮﺕ ﻋﻠﻰ ﺃﺳﻨﺔﺍﻷﻗﻻﻡ‪.‬‬

‫ﻓﺼﻮﺭﻩ ﺫﺍﺕ ﻣﻀﻤﻮﻥ ﺍﺩﺑﻲ ﻳﺘﺮﻗﺮﻕ ﻋﺎﻃﻔﺔ ﻭﻭﺟﺪﺍﻧﺎ ‪ ،‬ﻭﻣﻀﻤﻮﻥ ﺗﺸﻜﻴﻠﻲ ﺣﺎﻓﻞ ﺑﺎﻟﺸﻌﻮﺭ‬
‫ﺍﻟﻤﺠﺮﺩ ‪ ،‬ﺫﻟﻚ ﺍﻟﺸﻌﻮﺭ ﺍﻟﺬﻱ ﻳﺤﺴﻪ ﺍﻟﻤﺼﻮﺭ ﻭﻳﻤﻠﻲ ﻋﻨﻪ‪.‬‬

‫ﻭﺑﺮﻉ ﺍﻟﻮﺍﺳﻄﻲ ‪ 2‬ﺗﺨﻄﻴﻂ ﺍﻟﻤﻘﺎﻣﺎﺕ ﻭﺗﺬﻫﻴﺒﻬﺎ ‪ ،‬ﻭﺗﺮﺗﻴﺐ ﺻﻔﺤﺎﺗﻬﺎ ‪ ،‬ﻭﺗﻨﺴﻴﻖ ﻫﻮﺍﻣﺸﻬﺎ ‪،‬‬

‫ﺨﺴﻧﺔ ﺗﻀﻢ (‪ )٤٩‬ﺻﻮﺭﺓ ﻣﻠﻮﻧﺔ ﻑ (‪ )٩٩‬ﺻﻔﺤﺔ‬ ‫ﻭﺗﺰﻳﻴﻦ ﻋﻨﺎﻭﻳﻨﻬﺎ ‪ ،‬ﻓﻜﺘﺐ ﺳﻨﺔ ‪٧٣٢‬ﺍﻡ‪/‬ﻩ‪٦٣٤‬‬

‫ﺑﻘﻴﺎﺱ ‪٧٣‬ﻢ‪x‬ﺳ‪ ٢٨‬ﻭﺻﻮﺭ ﺑﻌﻀﻬﺎ ﻋﻠﻰ ﺻﻔﺤﺘﻴﻦ ﻣﺘﻘﺎﺑﻠﺘﻴﻦ‪ .‬ﺘﺗﺄﻒﻟ ﺍﻟﻨﺴﺨﺔ ﻣﻦ (‪ )٥٦١‬ﻭﺭﻗﺔ ﻭ‪2‬‬

‫ﻛﻞ ﻭﺭﻗﺔ (‪ )٥١‬ﺳﻄﺮ ﻛﺘﺒﻬﺎ ﺑﻤﺪﺍﺩ ﺍﺳﻮﺩ ﻳﻤﻴﻞ ﺇﻟﻰ ﺍﻟﺤﻤﺮﺓ ‪ ،‬ﻭﺑﺎﻟﺨﻂ ﺍﻟﻨﺴﺨﻲ ﻭﺍﻟﻤﻨﻘﻂ ﻭﺍﻟﻤﺸﻜﻞ ‪.‬‬

‫ﻛﻤﺎ ﻧﻤﻨﻢ ﺑﻌﺾ ﺍﻟﻤﻘﺎﻣﺎﺕ ﺑﺼﻮﺭﺓ ﻭﺍﺣﺪﺓ ﺃﻭ ﺑﺼﻮﺭﺗﻴﻦ ‪ ،‬ﻭﺑﻌﻀﻬﺎ ﺑﺜﻻﺙ ﺻﻮﺭ‪ ،‬ﻭﺛﻤﺔ ﻣﻘﺎﻣﺎﺕ ﺃﺧﺮﻯ‬

‫ﺑﻘﻴﺖ ﺑﺪﻭﻥ ﺻﻮﺭﺓ ‪ ،‬ﻭﻟﻢ ﺗﺮﺩ ﺑﻌﺾ ﻫﺬﻩ ﺍﻟﻤﻨﻤﻨﻤﺎﺕ ﻭﻓﻖ ﺗﺮﺗﻴﺐ ﺍﻟﺤﺪﻳﺚ‪2‬ﺍﻟﻤﻘﺎﻣﺔ ‪ ،‬ﻓﻨﺠﺪ ﻣﻨﻬﺎ ﻣﺎ‬

‫ﻳﺠﻲﺀ ﻣﺼﻮﺭﺍ ﻟﺤﺪﺙ ﻻ ﺣﻖ ﻛﺎﻥ ﻣﻦ ﺣﻘﻪ ﺃﻥ ﻳﺘﺨﻠﻒ ﺷﻴﺌﺎ ﻟﻴﻜﻮﻥ ‪ 2‬ﻣﻜﺎﻧﻪ‪ .‬ﻭﻳﻄﻠﻖ ﻋﻠﻰ ﻫﺬﻩ‬

‫ﺍﻟﻤﺨﻄﻮﻁ ﺍﺳﻢ ﺣﺮﻳﺮﻱ ﺷﻴﻔﺮﺩ> (ﺍﻟﻤﺨﻄﻮﻃﺔ ﺍﻟﻌﺮﺑﻴﺔ ﺭﻗﻢ )‪ 2 ٥٨٤٧‬ﺍﻟﻜﺘﺒﺔ ﺍﻷﻫﻠﻴﺔ ﺑﺒﺎﺭﻳﺲ ‪٠‬‬

‫(‪ )1‬ﺍﻟﻤﺨﻄﻮﻃﺎﺕ ﺍﻟﻌﺸﺮﺓ ﺇﺣﺪﺍﻫﺎ ﺑﺪﺍ ﺍﻟﻜﺘﺐ ﺑﻠﻨﻨﺠﺮﺍﺩ‪،‬ﻭﺃﺮﺧﻯ ﺑﺎﺳﺘﻨﺒﻮﻝ‪ ،‬ﻭﺛﺎﻟﺜﺔ ﺑﺪﺍﺭﺍﻟﻜﺘﺐ ﺍﻟﻘﻮﻣﻴﺔ ﺎﻨﻴﻴﻔﺑ‪ ،‬ﻭﺛﻻﺛﺔ ﺑﺪﺍﺭ ﺍﻟﻜﺘﺐ‬
‫ﺍﻟﻘﻮﻣﻴﺔ ﺑﺒﺎﺭﺱ‪ ،‬ﻭﺛﻻﺛﺔ ﺑﺎﻟﺘﺤﻒ ﺍﻟﺒﺮﻳﻄﺎﻧﻲ‪ ،‬ﺍﻟﻌﺎﺷﺮﺓ ﺑﺎﻟﻤﻜﺘﺒﺔ ﺍﻟﺒﻮﺩﻟﻴﺔ ‪ 2‬ﺃﻛﺴﻔﻮﺭﺩ‪.‬‬

‫(‪ )2‬ﻳﻄﻠﻖ ﻋﻠﻰ ﺍﻟﻤﻘﺎﻣﺎﺕ ﺍﻟﺘﻲ ﺻﻮﺭﻫﺎ ﺍﻟﻮﺍﺳﻄﻲ ﺃﺳﻢ ﺣﺮﻳﺮﻱ ﺷﻴﻔﺮ ﻧﺴﺒﺔ ﺇﻟﻰ ﻣﺎﻟﻜﻬﺎ ﺍﻷﺻﻠﻲ ﺷﻴﻔﺮ ﺍﻟﺬﻱ ﺃﻫﺪﺍﻫﺎ ﺇﻟﻰ ﺍﻟﻤﻜﺘﺒﺔ ﺍﻟﻮﻃﻨﻴﺔ‬
‫ﺓ ﺑﺎﺭﻳﺲ‪،‬‬