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‫ﺇﻃﻻﻟﺔ ﻋﻠﻰ ﻓﻦ ﺍﻟﻮﺍﺳﻄﻲ ﻣﻦﺧﻻﻝ ﻣﻘﺎﺳﻤﺎﺕ ﺍﻟﺠﺮﻳﺮﻱ‬

‫ﺃﻣﺎ ﺍﺰﻟﺎﺧﺭﻑ ﺍﻟﻜﺘﺎﺑﻴﺔ ﻓﻠﻘﺪ ﺷﻤﻠﺖ ﺍﻟﻜﺘﺎﺑﺔ ﺍﻮﻜﻟﻴﻓﺔ ﺍﺔﻄﺴﺒﻤﻟ ﻭﺍﻟﻤﻮﺭﻗﺔ ﻭﺍﺰﻤﻟﺮﻫﺓ ﺍﻟﻤﺤﻔﻮﺭﺓ ﻋﻠﻰ‬
‫ﺃﺭﺿﻴﺔ ﻣﻦ ﺍﻟﺰﺧﺎﺭﻑ ﺍﻟﻨﺒﺎﺗﻴﺔ ‪،‬ﻭﻻ ﺑﺪ ﻣﻦ ﺍﻹﺎﺷﺭﺓ ﺃﻥ ﺍﻟﻤﻘﺎﻣﺎﺕ ﺍﻟﺘﻲ ﺭﺳﻤﻬﺎ ﺍﻟﻮﺍﺳﻄﻲ ﻗﺪ ﺃﺻﺎﺑﻬﺎ‬

‫ﺑﻌﺾ ﺍﻟﺘﻠﻒ‪ ،‬ﻓﻘﺪ ﺿﻌﻔﺖ ﺑﻌﺾ ﺃﺎﺒﺻﺎﻬﻏ ‪ ،‬ﻭﺎﺿﺖﻋ ﻣﻌﺎﻟﻢ ﺑﻌﺾ ﺍﻟﻮﺟﻮﻩ ﻭﺍﺰﻟﺎﺧﺭﻑ‪.‬‬
‫ﻭﻛﺎﻥ ﻣﻦ ﺍﻟﻤﻮﺿﻮﻋﺎﺕ ﺍﻟﺘﻲ ﻋﺎﻟﺠﻬﺎ ﺍﻮﻟﺍﻲﻄﺳ ﻣﺸﺎﻫﺪ ﺍﻟﻄﺒﻴﻌﻴﺔ ‪ ،‬ﻭﺍﺎﻴﺤﻟﺓ ﺍﻮﻴﻟﻴﻣﺔ ‪ ،‬ﻭﺍﺎﻴﺤﻟﺓ‬

‫ﺍﻟﺪﻳﻨﻴﺔ ﻭﺍﻟﺤﻴﺎﺓ ﺍﻟﻘﻀﺎﺋﻴﺔ ‪ ،‬ﻭﺍﺎﻤﻌﻟﺮﺋ‪.‬‬
‫ﻳﺮﻯ ﺍﻟﻮﺍﺳﻄﻲ ‪ 2‬ﻣﻨﺎﻇﺮ ﺍﻟﻄﺒﻴﻌﺔ ﻭﺔﻠﻴﺳ ﺗﻤﻜﻨﻪ ﻣﻦ ﻋﺮﺽ ﻧﻤﺎﺫﺝ ﺯﺮﺧﻴﻓﺔ‪.‬ﻭﻮﻫ ﺣﻴﻦ ﻳﺼﻮﺭ‬
‫ﻣﺸﻬﺪﺍ ﻣﻦ ﻣﺸﺎﻫﺪ ﺍﻟﻄﺒﻴﻌﺔ ﻳﻤﻴﻞ ﺗﺎﺭﺓ ﺇﻟﻰ ﺍﻟﻤﺤﺎﻛﺎﺓ ‪ ،‬ﻭﺎﺗﺭﺓ ﺃﺮﺧﻯ ﺇﻟﻰ ﺗﺤﻮﻳﺮﺍ' ﻣﺎ ﻳﺮﻯ ‪ ،‬ﻭﺗﺎﺭﺓ‬

‫ﺛﺎﻟﺜﺔ ﻳﺴﺘﻤﻠﻲ ﺧﻴﺎﻟﻪ ﻳﻔﻴﺾ ﻋﻠﻴﻪ ﻫﺬﺍ ﺍﻟﺨﻴﺎﻝ ﺑﻤﺎ ﺾﻴﻔﻳ‪.‬‬
‫ﺟﻤﻊ ﺍﻟﻮﺍﺳﻄﻲﺳﺠﻻ ﺣﺎﻓﻻ ﺎﻴﺤﺑﺓ ﺍﻟﻨﺎﺱ ﻓﻜﺎﻧﺖ ﺭﻮﺳﺎﻣﻪﺗ ﻭﺛﺎﺋﻖ ﻗﻴﻤﺔ ﻋﻦ ﺍﻟﺤﻴﺎﺓ ﻭﺍﻢﻈﻨﻟ‬
‫ﺍﻻﺟﺘﻤﺎﻋﻴﺔ ﻭﺍﺎﻌﻟﺩﺍﺕ ﻣﻔﻴﻀﺎ ﻋﻠﻰ ﺫﻚﻟ ﺧﻴﺎﻻ ﺭﺍﺋﻌﺎ ﻭﻭﺍﺔﻴﻌﻗ ﺣﻴﺔ ‪ .‬ﻓﻜﺎﻥ ﺎﺻﺩﺎﻗ ﻭﻗﺪﻳﺮﺍ ﻓﻴﻤﺎ‬

‫ﺗﻨﺎﻭﻟﻪ ﻣﻦ ﺣﻴﺎﺓ ﻣﻌﺎﺻﺮﻳﻪ‪.‬‬
‫ﻭﻳﺠﻤﻊ ﺍﻟﻮﺍﺳﻄﻲ ﺇﻟﻰ ﻣﻬﺎﺭﺗﻪ ‪ 2‬ﺗﺼﻮﻳﺮ ﺍﻟﺤﻴﺎﺓ ﺍﻟﺪﻳﻨﻴﺔ ﺷﺨﺼﻴﺔ ﺍﺎﻨﻟﺪﻗ ﺍﻟﺒﺼﻴﺮ ﺑﻌﻴﻮﺏ‬
‫ﻣﺠﺘﻤﻌﻪ‪ ،‬ﺇﺫﺍ ﺳﺎﻕ ﻟﻨﺎ ﺻﻮﺭﺓ ﻋﻦ ﺍﻟﻨﺎﺱ‪ 2‬ﺍﻟﻤﺤﺎﻓﻞ ﺍﻟﺪﻳﻨﻴﺔ ﺣﻴﺚ ﻳﺠﺘﻤﻌﻮﻥ‪ 2‬ﺍﻟﻤﺴﺎﺟﺪ ﻭﺍﻟﺨﻄﺒﺎﺀ‬
‫ﻋﻠﻰ ﻣﻨﺎﺑﺮﻫﻢ ﻭﻢﻫ ﻳﻌﻈﻮﻥﻭﺮﻬﻈﻳﻭﻥ ﻏﻴﺮ ﻣﺎ ﻳﺒﻄﻨﻮﻥ ‪ ،‬ﻓﻨﻔﺬ ﺇﻰﻟ ﺍﻷﺎﻤﻋﻕ ﻭﺃﺿﻔﻰ ﻋﻠﻰ ﺃﺳﻠﻮﺑﻪ‬

‫ﺍﻟﺘﺼﻮﻳﺮﻱ ﻟﻮﻧﺎ ﻣﻦ ﺍﻷﺳﻠﻮﺏ ﺍﻟﻻﺫﻉ‪،‬‬
‫ﻭﻛﻤﺎ ﻓﺎﺽ ﻗﻠﻢ ﺍﻟﺤﺮﻳﺮﻱ ﺑﺎﻟﻈﻠﻢ ﺍﻟﺴﺎﺋﺪ ﻑ ﺫﻟﻚ ﺍﻟﻌﺼﺮ ‪ ،‬ﻓﺎﺿﺖ ﺭﻳﺸﺔ ﺍﻟﻮﺍﺳﻄﻲ ﻟﺘﻜﺎﺩ‬
‫ﺗﺤﺲ ﺍﻷﺳﻰ ﻧﻔﺴﻪ ﺍﻟﺬﻱ ﺗﺠﺪﻩ ﺣﻴﻦ ﺗﻘﺮﺃ ﻣﻘﺎﻣﺎﺕ ﺍﻟﺤﺮﻳﺮﻱ ﻭﻛﺄﻥ ﺍﻟﻤﻨﻤﻨﻤﺎﺕ ﻫﻲ ﺍﻟﻤﻘﺎﻣﺎﺕ ﺗﻌﺒﻴﺮﺍ‬

‫ﺗﺼﻮﻳﺮﻳﺎ ﻋﻦ ﺍﻷﺳﻰ ﻭﺍﻟﺤﺰﻥ ﻟﻤﺎ ﺃﺻﺎﺏ ﺍﻟﻨﺎﺱ ﻣﻦ ﻇﻠﻢ ﺍﻟﻮﻻﺓ ﻭﺍﻟﻘﻀﺎﺓ ﻱ ﺫﻟﻚ ﺍﻟﻌﺼﺮ‪.‬‬

‫(‪)1‬ﺍﻟﺘﺤﻮﺮﻳ‪:‬ﺍﻮﺸﺘﻟﻪﻳ ( ﺎﺤﻣﻭﺔﻟ ﺇﺑﻌﺎﺩ ﺍﻮﻟﺍﻴﻌﻗﺔ ﻋﻦ ﻣﻮﺍﻊﻴﺿ ﺍﻟﻔﻦ)‬