Page 191 - Manual_Movie Edit Pro 2021_EN_Neat
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Audio editing   191
                        and should be avoided, since high settings will produce dull results and some useful
                        signals (i.e. woodwinds) which are similar to hissing are also filtered away.

                        Equalizer

                        The 10-track equalizer divides the frequency spectrum into 10 areas (tracks) and
                        supplies them with separate volume controls to allow you to achieve many impressive
                        effects, from the simple rising of the bass to total sound transformation. If you raise
                        the low frequencies too much throughout the whole level, it might cause distortions.

                        Fader: The volume of each of the 10 frequency bands can be set separately with the
                        10 volume controls.

                        Link frequency bands: The frequency fields can be bundled together flexibly in order
                        to avoid artificial-sounding exaggeration in individual frequency fields.

                        Compressor
                        The compressor is an automated, dynamic volume controller. Loud passages become
                        quieter and the total value is raised. This makes the volume more consistent and
                        speech easier to understand. A compressor is mainly useful in case background noise
                        or music interferes with speech and simply increasing the volume of the individual
                        objects or tracks does not result in any significant improvement.

                        Level: Regulates the level of compression applied (the "ratio").

                        Function: Defines the compressor depending upon the sound material.

                        Stereo FX

                        The stereo FX processor provides adjustment of the alignment of the audio material in
                        the stereo balance. If the stereo recordings sound weak and undifferentiated, an
                        extension of the stereo base width can often provide better transparency.

                        Bandwidth control: Adjust the bandwidth between mono (on the extreme left),
                        unchanged base width (center) and maximum bandwidth ("wide" on the extreme
                        right).

                        Reducing the bandwidth can raise the overall level. In extreme cases, when the left
                        and the right channels include identical material and the bandwidth control is pushed
                        to the extreme left on "mono", the result can be a level increase of 3 decibels.

                        Raising the bandwidth (values of 100) diminishes the mono compatibility.
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