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Plates 26.9–10 Sections of a Qur’an written on Chinese gold-sprinkled paper, attributed to the Timurid court at Herat. Illumination
          attributed to the Muhammad Juki illuminator, c. 1440. Leather, paper, ink, colours and gold, book: 44.5 x 38.1cm, manuscript: 30.5 x 26.7cm.
          Detroit Insitute of Arts, City of Detroit Purchase, 30.323
          write on paper which had been smoothed and covered with   surface. Some volumes contain the classics of Persian
          a coating of starch. The paper made and used in Iran and   literature and some carry the text of the Qur’an. Dated
          Central Asia is well suited to this technique of writing.   examples suggest that most of these manuscripts were
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          During the reign of Shah Rukh, however, a very different   produced in the 1430s or 1440s.
          type of paper was used to copy a few manuscripts. It was   A Qur’an now in Detroit is a good example of this group.
          much heavier than ordinary paper, was dyed in various   The two opening pages of its text are its most lavishly
          colours, decorated with gold and had a smooth and waxy   ornamented pages and have been published in a number of
          Plate 26.11 Preface to the Shahnama of Firdawsi, text composed by   Plate 26.12 ‘Gushtasp plays polo before the Qaysar’, illustration
          Baysunghur b. Shah Rukh, Herat, c. 1444. Gouache on paper, height  from the Shahnama of Firdawsi, c. 1444. Gouache on paper, height
          24.7cm, width 13.5cm. Royal Asiatic Society, Persian 239 fol.3b  22cm, width 15cm. Royal Asiatic Society, Persian 239 fol.252a
















































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