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Chapter 27                                        The poem with which the interpreter Ma Huan 馬歡
                                                            (b. c. 1380) prefaces his account of the early Ming imperially
          Precious Stones and                               ordered oceanic voyages, commanded by the eunuch
                                                            admiral Zheng He 鄭和 (1371–1433), opens stirringly:
          Ming Culture, 1400–1450                              The emperor’s glorious envoy received the divine commands,
                                                               ‘proclaim aloud the silken sounds, and go to the barbarous
                                                               lands’ …
          Craig Clunas                                      And it continues, in describing the armada’s reception in
                                                            foreign parts:
                                                               Here when the heavenly writing came, a happy clamour
                                                               meeting,
                                                               Chieftains and heads of the barbarous tribes all vied to give it
                                                               greeting.
                                                               Tribute of southern gold, rare gems, from distant parts appear;
                                                               Grateful, admiring our virtue, they show themselves loyal,
                                                               sincere …
                                                               Mountains high and mighty waves I ere then saw but few;
                                                               Unwonted gems and jewels rare I now begin to view. 1
                                                               Even by the standards of early 15th-century court
                                                            panegyric, hardly famed as one of the high points of Chinese
                                                            verse, this is not great poetry. But, as this chapter will argue,
                                                            it is not by accident that ‘southern gold’ (nan jin 南) and ‘rare
                                                            gems’ (yi bao 異寳), or ‘unwonted gems and jewels’ (yi bao qi
                                                            zhen 異寳奇珍) glitter in this poem with which Ma Huan
                                                            opened his Overall Survey of the Ocean Shores (Ying ya shenglan
                                                            瀛涯勝覽), a text which was probably written after the first
                                                            voyage in 1416. In fact, they are the only specific objects of
                                                            foreign ‘tribute’ he mentions in this prefatory verse.
                                                            Gemstones, and objects inlaid with gemstones, have lain
                                                            outside the mainstream of research into Chinese art and
                                                            material culture, largely because until recently scholars have
                                                            had so few examples to examine. Although the literary
                                                            evidence for the use of table vessels in precious metals is
                                                            ample, the number of surviving artefacts in museums, prior
                                                            to recent archaeological discoveries, has been small.  The
                                                                                                      2
                                                            same is true a fortiori with regard to precious metal vessels
                                                            and objects enhanced with gemstones. The few surviving
                                                            Plate 27.1 Toothpick box with chain, Ming dynasty, 15th century. Gold
                                                            and gems, length 9.1cm, with chain 25.2cm, weight 83g. Rietberg
                                                            Museum, Zurich, Collection Alice and Pierre Uldry. Inv. No. U 301 GS




























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