Page 42 - September 20 2021 Fabian Collection of Chinese Paintings Art Bonhams NYC

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HUANG BINHONG (1865-1955) Little, Stephen, and J. May Lee Barrett. New Songs on Ancient Tunes:
Abstract Landscape, 1952 19th-20th Century Chinese Paintings and Calligraphy from the Richard
Large album leaf mounted as a hanging scroll, ink and color on paper, Fabian Collection, Honolulu: Honolulu Academy of Arts,
inscribed by the artist, dated renchen, and signed Binhong, with an 2007, pp. 552-553
artist’s seal Huang Binhong. Little, Stephen, J. May Lee Barrett,《古調新歌：費立哲神父珍藏十九
12 5/8 x 17 7/8in (32 x 45.2cm) 及二十世紀中國書畫》，檀香山藝術博物館，夏威夷，
2007年，頁552-553
$50,000 - 80,000
Exhibited/展覽:
黃賓虹 抽象山水 設色紙本 冊頁裝裱為立軸 一九五二年作 Between the Thunder and the Rain, Asian Art Museum Chong-Moon
Lee Center for Asian Art and Culture, San Francisco, California,
Provenance/來源: October 25, 2000-January 14, 2001
Far East Fine Arts, San Francisco, California 《風雲際會：從鴉片戰爭到「文革」（1840-1979）的中國繪畫》，
加州舊金山遠東藝術中心 亞洲藝術博物館，舊金山，加州，2000年10月25日至2001年1月14日

Published/出版: New Songs on Ancient Tunes, Honolulu Art Academy, Honolulu,
Toda, Teisuke and Hiromitsu Ogawa comp. Comprehensive Illustrated Hawaii, August 30-October 28, 2007
Catalogue of Chinese Paintings, Third Series, Volume 1: American and 《古調新歌：費立哲神父珍藏十九及二十世紀中國書畫》，檀香山藝
Canadian Collections, University of Tokyo Press, 2013, A50-72, p. 208 術博物館，夏威夷，2007年8月30日至10月28日
戶田禎佑、小川裕充，《中國繪畫總合圖錄》三編，第一卷，東京大
學出版會，東京，2013年，A50-72，頁208
In his inscription, Huang Binhong cites the profound innovations of
Andrews, Julia Frances, Michael Knight, and Pauline Yao. Between the the Jinshi movement artists of the Daoguang and Xianfeng periods
Thunder and the Rain: Chinese Paintings from the Opium War Through (1821-1861) who were active a hundred years prior to this painting’s
the Cultural Revolution, 1840-1979, San Francisco: Echo Rock conception. In his words, Huang Binhong deems their contribution
Ventures, in association with the Asian Art Museum Chong-Moon Lee to Chinese painting as a ‘renaissance’ fuxing, as the reintroduced
Center for Asian Art and Culture, 2000, p. 214 brush methods would transform the approach to landscape painting
Andrews, Julia Frances, Michael Knight, and Pauline Yao,《風雲際 in a profound manner. See Wan Qingli, “Huang Binhong yu ‘Dao Xian
會：從鴉片戰爭到「文革」（1840-1979）的中國繪畫》，亞洲藝術 huaxue zhongxing’, Wenyi yanjiu, 2004:6.
博物館，李鐘文亞洲藝術文化中心，舊金山，加州，2000年，頁214
黃賓虹於本幅題款：前清道咸金石學盛，繪畫稱為復興。其認為，將
金石書法中的筆法運用到山水繪畫中實為「復興」，點出了金石學對
繪畫的重大意義。參見萬青力”黃賓虹與道咸化學中興”，發表於《文
藝研究》，2004年第6期，頁106-107

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