Page 46 - September 20 2021 Fabian Collection of Chinese Paintings Art Bonhams NYC

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GU YUN (1835-1896) Little, Stephen, and J. May Lee Barrett. New Songs on Ancient Tunes:
Landscapes, 1890 19th-20th Century Chinese Paintings and Calligraphy from the Richard
Album of twelve leaves, ink on paper, the final leaf with an artist’s Fabian Collection, Honolulu: Honolulu Academy of Arts,
inscription dated gengyin, with a dedication to Langfu, and signed 2007, pp. 180-181
Ruobo, with a total of 14 artist’s seals reading Ruobo, Ruobo, Yunhu, Little, Stephen, J. May Lee Barrett,《古調新歌：費立哲神父珍藏十九
Gu Yun si yin, Ruobo Huayin, Gu Yun, Gu Yun and Gu Yun. 及二十世紀中國書畫》，檀香山藝術博物館，夏威夷，2007年，頁
10 7/8 x 12 1/4in (27.6 x 31cm), each leaf (12). 180-181

$3,000 - 5,000 Exhibited/展覽:
Between the Thunder and the Rain, Asian Art Museum Chong-Moon
顧澐 山水 水墨紙本 册頁十二開 一八九〇年作 Lee Center for Asian Art and Culture, San Francisco, California,
October 25, 2000-January 14, 2001
Published/出版: 《風雲際會：從鴉片戰爭到「文革」（1840-1979）的中國繪畫》，
Toda, Teisuke and Hiromitsu Ogawa comp. Comprehensive Illustrated 亞洲藝術博物館，舊金山，加州，2000年10月25日至2001年1月14日
Catalogue of Chinese Paintings, Third Series, Volume 1: American and
Canadian Collections, University of Tokyo Press, 2013, A50-50, p. 203 New Songs on Ancient Tunes, Honolulu Art Academy, Honolulu,
戶田禎佑、小川裕充，《中國繪畫總合圖錄》三編，第一卷，東京大 Hawaii, August 30-October 28, 2007
學出版會，東京，2013年，A50-50，頁203 《古調新歌：費立哲神父珍藏十九及二十世紀中國書畫》，檀香山藝
術博物館，夏威夷，2007年8月30日至10月28日
Andrews, Julia Frances, Michael Knight, and Pauline Yao. Between the
Thunder and the Rain: Chinese Paintings from the Opium War Through
the Cultural Revolution, 1840-1979, San Francisco: Echo Rock Gu Yun was a native of Wuxian (now Suzhou), Jiangsu province,
Ventures, in association with the Asian Art Museum Chong Moon Lee courtesy name Ruobo. He was a follower of the Loudong and Yushan
Center for Asian Art and Culture, 2000, pp. 40-41 Painting Schools. Painted as a guide for painting students, the album
Andrews, Julia Frances, Michael Knight, and Pauline Yao,《風雲際 does not elaborate on color or complex composition, but rather it
會：從鴉片戰爭到「文革」（1840-1979）的中國繪畫》，亞洲藝術 emphasizes on how to effectively use ink and brushwork depicting
博物館，李鐘文亞洲藝術文化中心，舊金山，加州， basic landscape elements. The plainness here actually is an indicator
2000年，頁40-41 of solid artistic skills that the artist had acquired from studying the
ancient masters over the years. It was said that Gu Yun was a frequent
visitor of Gu Wenbin’s famous Hall of Passing Clouds, where he copied
the collection’s masterpieces from the Song to Qing dynasties.

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