Page 44 - September 20 2021 Fabian Collection of Chinese Paintings Art Bonhams NYC

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JIANG YUN (1847-1918/1919) Exhibited/展覽:
Landscapes After Old Masters, 1908 Between the Thunder and the Rain, Asian Art Museum Chong-Moon
Album of twelve leaves, ink and color on paper, each leaf inscribed and Lee Center for Asian Art and Culture, San Francisco, California,
signed by the artist, dated the first year of the Xuantong reign, with a October 25, 2000-January 14, 2001
total of twenty-four artist’s seals, with a collector’s seal on the mount 《風雲際會：從鴉片戰爭到「文革」（1840-1979）的中國繪畫》，
of the twelfth leaf, and a colophon signed Yipiao daoren (Yan Shiqing, 亞洲藝術博物館，舊金山，加州，2000年10月25日至2001年1月14日
1873-1929) and dated gengxu (1910).
10 5/8 x 15 3/4in (27 x 39cm), each leaf New Songs on Ancient Tunes, Honolulu Art Academy, Honolulu,
Hawaii, August 30-October 28, 2007
$4,000 - 6,000 《古調新歌：費立哲神父珍藏十九及二十世紀中國書畫》，檀香山藝
術博物館，夏威夷，2007年8月30日至10月28日
姜筠 仿古山水 設色紙本 册頁十二開 一九〇八年作

Province/來源: Jiang Yun, who used the courtesy name Yinsheng, sobriquet Daxiong
Far East Fine Arts, San Francisco, California, 1990 shanmin, was born in Anhui province. He earned a juren degree in
加州舊金山遠東藝術中心，1990年 1891. His painting style is considered in the lineage of the Orthodox
school, closely following the early Qing master Wang Hui (1632-1717).
Published/出版:
Toda, Teisuke and Hiromitsu Ogawa comp. Comprehensive Illustrated The artist once taught Xiao Xun (1883-1944), who was one of the
Catalogue of Chinese Paintings, Third Series, Volume 1: American and founding members of the Chinese Painting Research Association.
Canadian Collections, University of Tokyo Press, 2013, A50-48, p. 201 Comparing to the Monumental Landscape by Xiao Xun, sold from the
戶田禎佑、小川裕充，《中國繪畫總合圖錄》三編，第一卷，東京大 Reverend Richard Fabian Collection on 30 November 2020, Bonhams
學出版會，東京，2013年，A50-48，頁201 Hong Kong lot 627, the current album is a great example showing the
stylistic connections between the teacher and student, such as the
Andrews, Julia Frances, Michael Knight, and Pauline Yao. Between the color scheme and composition.
Thunder and the Rain: Chinese Paintings from the Opium War Through
the Cultural Revolution, 1840-1979, San Francisco: Echo Rock 姜筠，字穎生，別號大雄山民，生於安徽。光緒17年（1891）年舉
Ventures, in association with the Asian Art Museum Chong-Moon Lee 人。其畫多以古法入，被認為是清初大師王翬（1632-1717）一脈。
Center for Asian Art and Culture, 2000, pp. 134-137
Andrews, Julia Frances, Michael Knight, and Pauline Yao,《風雲際 姜筠曾為蕭愻（1883-1944）之師。蕭氏後為中國畫學研究會發起人
會：從鴉片戰爭到「文革」（1840-1979）的中國繪畫》， 之一。邦瀚斯在2020年11月30日的費立哲牧師珍藏中國書畫專場中曾
亞洲藝術博物館，李鐘文亞洲藝術文化中心，舊金山，加州， 釋出蕭愻所作一幅《秋山策杖圖》（lot 627）。兩相對照之下，本冊
2000年，頁134-137 頁之用色及構圖更在在顯出師徒間的風格聯繫。

Little, Stephen, and J. May Lee Barrett. New Songs on Ancient Tunes:
19th-20th Century Chinese Paintings and Calligraphy from the Richard
Fabian Collection, Honolulu: Honolulu Academy of Arts, 2007, pp.
396-399
Little, Stephen, J. May Lee Barrett,《古調新歌：費立哲神父珍藏十九
及二十世紀中國書畫》，檀香山藝術博物館，夏威夷，
2007年，頁396-399

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