Page 50 - Tibetan Thangka Painting Methodsand Mat, Jackson
P. 50

To mark the first diagonal line on the canvas using  pieces connected by a hinge, with one leg sharply
              this type of marking string, Legdrup Gyatsho first placed  pointed and the other having some provision for holding
              the stick end of the string in one corner of the prepared  a charcoal crayon. The second common type of compass
              cloth. With his right hand he held the stick with its  described by our informants was the "board compass"
              notched end down, positioning the end of the string  (skor pang). This was used by artists from many parts
              (and the end of the stick) in the exact corner. Next, with  of Tibet for drawing large circles. The board compass
              his left hand he stretched the string across the cloth  was made from two pieces of wood: one long slat and a
              to the diagonally opposed corner, and held it there by  smaller, pointed block. The pointed piece had a hole in
              pressing down on it with his thumb. Then -  still  it through which the slat was passed. The point on the
              holding the end of the stick in place, by clasping the  small block determined the center of the circle or arc,
              shaft in the palm of his right hand - he carefully  while the drawing was done with a charcoal pencil fixed
              lowered the top end of the stick until he could reach  in the end of the long thin slat. The charcoal was
              and pluck the string with the index finger of the same  stationary; different radii were achieved by moving the
              hand. The resulting snap of the string against the canvas  small pointed block up and down the stick. Once in
              released an imprint of coloured powder in a line along  place, the block was secured by inserting a thin wooden
              the entire length of the taut string. The artist marked the  wedge into the hole between the block and the long slat.
              second diagonal in the same way, and in so doing he
              established the central point of the painting area, the
              intersection of the two lines.










































              Wangdrak using a marking line.



              Vertical and Horizontal Axes

              Next the artist determined the vertical and horizontal  Two forms of compass.
              axes. As above, he used a marking line, but he could also
              use a compass (skor thig). Two main types of compass  To establish the vertical axis (tshangs thig), the
              were used in Tibetan art. The first, which was used for  artist began by determining four points on the diagonal
              drawing small circles, was similar to the simple metal  lines that were equidistant from the intersection of the
              compass common in the West: two wooden or metal  lines. This was done with either a ruler or compass.


              46    SKETCHING AND THE THEORY OF ICONOMETRY
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