Page 102 - Sotheby's London Important Chinese Art Nov. 2019
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187
           A RARE GILT-BRONZE SEATED FIGURE OF A
           DAOIST DEITY
           QING DYNASTY, 18TH CENTURY
           well-cast, seated with both hands raised in an animated
           gesture, dressed in a long fluid robe with finely incised
           ruyi scroll borders falling in voluminous folds over the
           legs, tied at the waist with a double knot, the well-defined
           face with a gentle smile, framed by neatly adorned hair
           gathered up in a Daoist lotus cap and a long pointed beard
           Height 26.5 cm, 10½ in.
           PROVENANCE
           Collection of Astrid Ibsen-Sørensen (1892-1987), collected in
           China before 1936.
           In the family by descent.
           This figure most likely depicts one of the Three Purities
           (Sanqing), the embodiment of the Dao and the three
           highest deities in the Daoist pantheon. The Sanqing
           developed from the tripartite division of the celestial
           realms and first emerged in the Tang dynasty (618-
           907), when attempts were made to group Daoist deities
           in a coherent system. The Quanzhen sect (Complete
           Realisation sect) of Taoism understood the deities as
           representing the Celestial Worthy of Primordial Beginning
           (Yuanshi tianzun), the Celestial Worthy of Numinous
           Treasure (Lingao tianzu), and the Celestial Worthy of the
           Way and Its Power (Daode tianzun). As manifestations
           of the Three Energies and rulers of the Three Caverns
           (Sandong), they are considered the source of all life and
           knowledge, see Stephen Little, Taoism and the Arts of
           China, The Art Institute of Chicago, Chicago, 2002, pp.
           229-231.
           Gilt-bronze figures of the Sanqing from the Qing dynasty
           are unusual, and examples are more commonly known
           attributed to the Ming period (1368-1644). Compare for
           example a smaller seated figure of deified Laozi, also
           identified as the Celestial Worthy of the Way and Its Power,
           dated by inscription to 1438, and signed Chen Yanqing
           (active 15th century), in the Metropolitan Museum of Art,
           New York, included in the Museum’s exhibition Wisdom
           Embodied. Chinese Buddhist and Daoist Sculpture in the
           Metropolitan Museum of Art, New York, 2010, cat. no. 38,
           and sold at Christie’s New York, 21st November 1995, lot
           493; another signed Chen Chanqing, sold at Christie’s
           London, 10th December 1979, lot 45; and a third, identified
           as the Celestial Worthy of Numinous Treasure, and
           attributed to the Yuan dynasty (1279-1368), sold twice
           at Christie’s Hong Kong, 1st May 2000, lot 751, and 29th
           November 2005, lot 1608.

           £ 40,000-60,000
           HK$ 391,000-590,000   US$ 50,000-75,000
           清十八世紀   鎏金銅道教神仙坐像

           來源
           Astrid Ibsen-Sørensen (1892-1987年)收藏,於1936年
           以前購自中國,此後家族傳承








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