Page 107 - JAPAN THE SHAPING OFDAIMYO CULTURE 1185-1868
P. 107

46,








          46  Itchin                          bot of Konkoji, and  the  founder of Shô-  Details about the artist Kóshun are
             Kóshun (fl. 1334)                jôkôji in Kanagawa Prefecture,  the head-  unknown. However, like Kóshu, the sculp-
            polychromed wood                  quarters of the  Jiji sect. However,  in  the  tor of a 1420 portrait  of Ippen, also for-
            h. 79.0(31^/8)                    course of the recent  restoration, writing  merly at Konkôji, Kôshun is thought  to be
            Nanbokuchô period, 1334           was found inside the statue, stating that  a Kei-school sculptor and  later follower of
            Chôrakuji, Kyoto                  Koshun sculpted this portrait of the  fifty-  the  famous Unkei (d.  1223).  NK
             Important Cultural Property      seven-year-old Yo Amidabutsu (the Bud-
                                              dhist name of Itchin). Itchin (1278-1355),
          This is one  of seven portrait sculptures of  the  sixth patriarch of the  Jiji sect, was  47  Yishan Yining
          Jishü-school patriarchs from  Konkôji,  the  the  abbot  of Shôjôkôji and also later be-  polychromed  wood
          Jishü training temple  on Shichijo Street in  came the  first abbot of the training temple  h. 76.0(297/3)
                                                                                    Kamakura period, c. 1317
          Kyoto. When  Konkôji was closed in  1908,  Kôshôji, on Ichijó Street  in Kyoto.
          all seven statues were moved to  Chôrakuji  The  statue wears a simple  kesa  Nanzen'in, Kyoto
          in Kyoto. Jishü is a populist branch  of  the  (priest's mantle) over a priestly robe.  The
          devotional Jódo (Pure Land, or Amidist)  palms, joined in front of the  chest, are  Yishan Yining (1247-1317), known in Japan
          sect of Buddhism. It was founded by  the  common  to seated  portraits of Jishü  as Issan Kokushi (National Teacher), was
          monk Ippen (1239-1289) in the  mid-  priests. The  face, with crystal eyes, is de-  an erudite priest of Chinese  Rinzai Zen
          Kamakura period and remained a consid-  scriptively rendered.  This portrait is the  Buddhism who came to Japan in 1299 car-
          erable force in Japanese  religious  life  finest  and oldest of the  group of seven  rying a diplomatic letter from  Emperor
          through the fifteenth century, patronized  Chôrakuji sculptures, and  it is significant  Chengzong  of the  Yuan dynasty of China.
          especially by common  people  and by the  as a rare ;uzo, that is, a portrait  made dur-  Although  suspected  by the  Kamakura sho-
          tough  and unsophisticated warriors from  ing the  subject's lifetime. (Most Japanese  gunate of being a Yuan spy, this deeply
          eastern Japan.                     "portraits" were posthumous,  sometimes  cultured man had a strong spiritual impact
             According to temple tradition,  this  by many  generations.)        on many people, including Hôjô Sadatoki
          statue depicts Donkai (1265-1327), the                                 (1271-1311), the  shogunal regent  from 1284
          fourth patriarch of the  Ji sect, the  first ab-                       to  1301. Yishan became  the  abbot  of Ken-
                                                                                 chôji, Engakuji, and Jôchiji, renowned


         94
   102   103   104   105   106   107   108   109   110   111   112