Page 109 - JAPAN THE SHAPING OFDAIMYO CULTURE 1185-1868
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Zen  monasteries of Kamakura. His fame  with chinsó sculpture (portraits of Zen  returned to Kyoto with the backing of the
         reached  finally to Kyoto where he was in-  priests), he holds a hossu (whisk with long  shogunate and there, under the  auspices
         vited by the retired emperor  Go-Uda  white hairs, symbolic of priestly office  and  of the  shogun  Yoriie, converted  Kenninji
         (1267-1324), and was appointed  the third  the brushing away of worldly thoughts) in  to the practice  of Rinzai Zen.  The  affinity
         abbot  of Nanzenji. Go-Uda,  devoted  to  his right hand  and  sits on a chair (not ex-  of the  warrior class for Zen,  and the  close
         Yishan's faith, posthumously bestowed  on  hibited). Chinsd  sculpture typically cap-  relationships between  members  of the  ba-
         the priest the title Kokushi and built a  tures the realistic appearance  of the  kufu  and Zen prelates, which  character-
         mausoleum  for him beside  that  of the em-  model,  including  such details as the  large  ized the  following several centuries, had
         peror Kameyama (1249-1305), Go-Uda's fa-  mole on the  left  eyelid. The  result is that  their beginnings in the  work of Eisai.  NK
         ther. Yishan is known as the  father of  the person's  spirit also is conveyed.  The
         Gozan  Bungaku (Literature of the  Five  mild expression, the relaxed pose, and the  50  Toyotomi  Hideyoshi
         Mountains), the literary movement es-  clothing, which  is more  or less symmetri-  polychromed  wood
         poused by the  scholar-monks of Japanese  cal, capture the  unruffled  state of mind of  h. 73.8 (29)
         Zen in the fourteenth and fifteenth  centu-  the  model. This fine chinsd was probably
         ries. He was also instrumental in transmit-  made around the time of Mujú's death in  Momoyama period, c.  1598-1615
         ting from  China to Japan the Zhu Xi  1312.                               Osaka City
         school of Confucianism.                 The  head and body are made of two  Toyotomi Hideyoshi (1537-1598), the  sec-
             An excellent example of chinsd sculp-  hollow pieces of wood, joined front  to  ond "great unifier" of Japan, began  his ca-
         ture (portraits of Zen  priests), this statue,  back. The  Hdkydin  dharani, a set of Eso-  reer in the  service of the  first,  Oda
         probably made soon after Yishan's death  teric Buddhist incantations, is written in-  Nobunga  (1534-1582), whose military ge-
         in  1317, is enshrined  at Nanzen'in,  a sub-  side, in Sanskrit. Most  of the  polychromy  nius carried him from a minor domain in
         temple  of Nanzenji and the  site of the  that originally covered the  entire  surface is  Owari Province to the  mastery of most of
         mausoleums of Kameyama and Yishan.  now lost, exposing the  underlayers of sabi  Japan. Hideyoshi's rise was even  more dra-
         Made of Japanese cypress (hinoki),  the  urushi (raw lacquer  mixed with pulverized  matic: this son of a peasant  farmer was
         main part of the head  and torso are made  stone) and  black lacquer.  SH  Nobunaga's equal as a strategist and his
         of two hollow pieces joined front to back.                              superior as a diplomat. By 1590 he had  re-
         The  eyes are crystal. Yishan holds a stick  49  Myóan Eisai            duced all of Japan to peace and  fealty, had
         called a keisaku (a disciplinary stick used  polychromed  wood          taken the title of Imperial Regent,  and
         on monks whose attention wandered dur-                                  could turn his attention to legitimating
         ing meditation) in his right hand, and his  h. 60.3 (233/4)             and controlling  what he had won. Though
         robe and  kesa (priest's mantle) draped over  Kamakura period, i3th-i4th century  his notion  of civil administration was a
         the  chair (not exhibited).     NK     Jufukuji,  Kanagawa Prefecture
                                                                                 simple and quite sketchy extension  of the
                                             Myôan Eisai (1141-1215) owes his  eminence  domainal administration of a daimyo, his
         48  Mujü  Ichien                    in Japanese history to two accomplish-  land survey (begun in  1585) transformed
            polychromed wood                 ments: the  propagation of Rinzai Zen as  Japanese social and cadastral organization
            h. 79.4  (31^/4)                 an independent  school  of Buddhism, and  to the forms that prevailed throughout  the
            Kamakura period, c. 1312         the reintroduction  (from  China) of tea  Edo period. His territorial ambitions ex-
                                             drinking and tea cultivation after several  tended  to the (unachieved) conquest of
            Chômoji, Aichi  Prefecture       centuries of disuse. Born in present-day  China; he understood  the value of manu-
            Important Cultural Property
                                             Okayama Prefecture, he began religious  facturing and commerce  and  controlled
         Mujü  Ichien, born  in 1226 in Kamakura,  life as a student of Esoteric doctrines,  es-  them for his benefit;  and his patronage  of
         was probably a member  of the  Kajiwara  pecially Tendai. But in the  course of two  the arts was, by contemporary  accounts,
         family, which served the  Kamakura sho-  trips to China to study Buddhist doctrine  both  grandiose and knowing.
         gunate. After taking the tonsure in Hitachi  he became persuaded  of the greater  valid-  As this sculpture suggests, he was ap-
         Province (present-day Ibaraki Prefecture),  ity of Rinzai Zen  teachings. Zen  doctrines  parently an exceedingly homely man. No-
         he studied the doctrines of the older  had been known in Japan since the sev-  bunaga, who greatly valued his abilities,
         schools of Buddhism. He also studied  Zen  enth century, but  only as elements  in the  called him "Monkey" (saru). Much of the
         as a disciple of Enni Ben'en  (1202-1280) at  teachings of other  Buddhist schools; it was  extant portrait sculpture of Hideyoshi, like
         Tôfukuji,  a major  Zen  monastery in  Eisai who established Rinzai Zen  as an in-  the painted portraits of him, was produced
         Kyoto. He thus acquired a wide range of  dependent  school,  which soon acquired a  for the shrines built after his death. When
         Buddhist learning. In  1262 Mujú became  great and influential following.  the  Toyotomi family was destroyed by To-
         the founding abbot of Chômoji,  where  he  On  his return  in  1191 from  the  second  kugawa leyasu (1543-1616) in  1615, these
         lived for fifty  years, during which time  he  of his two trips to China,  Eisai  preached  shrines, which deified Hideyoshi, were de-
         wrote many books, including Sasekishù (A  for a time in Kyushu, where he founded  stroyed or closed. Thus this sculpture  can
         Collection of Sand and  Pebbles),  a famous  Shôfukuji  (near Hakata, present-day Fu-  be dated  to the period  between  1598 and
         anthology of Buddhist stories in ten vol-  kuoka) and cultivated the tea seeds he had  1615.
         umes. In 1282 he declined  an invitation to  brought  with him. He expressed his con-  Although its history is not known, this
         become the  second  abbot of Tôfukuji. He  viction of the  life- and health-giving prop-  work is one of the  most  idiosyncratic ex-
         died in  1312 at the  age of eighty-six at  erties of tea  in Kissa ydjdki  (On Drinking  amples of sculpted  portraits of Hideyoshi.
         Rengeji in Ise (Mie Prefecture), which  he  Tea and Maintaining Health). His Zen  While the  face reflects the  stylized expres-
         also headed.  He left  the  following parting  teachings met with opposition  from the es-  sion of the  No mask of an old man, it still
         verse:                              tablished schools, and the court  in Kyoto  retains a sense of realism and individuality.
         A seagull floats  over the sea      enjoined  Eisai to silence on the  subject of  The  work is made with the  yosegi zukuri
         Seven  and eighty years             Zen. But  in  1199 he  was in Kamakura,  technique  (hollow joined woodblock), and
         The  wind rests, the waves are still  where his converts among the  shogunate  the coloring and pedestal are later addi-
         Calm  as in the  days  of yore.     and the warriors included Hôjô Masako  tions.                     NYS
             Muju's portrait is enshrined  in  the  and Minamoto  Yoriie, widow and  son of
         Founder's Hall at Chômoji. As is common  Yoritomo. In Kamakura in 1200 he  became
                                             founding abbot of Jufukuji,  and  in 1202 he


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