Page 173 - JAPAN THE SHAPING OFDAIMYO CULTURE 1185-1868
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       center  front; a chapel,  at center  rear; and  kazu, a high-ranking warrior, was put  to  the modes of the  Song Chinese painters
       adjoining rooms, the  jdkan and gekan, on  death  following an unsuccessful  rebellion  Xia Gui, Yujian,  Muqi, and Ma Yuan as
       either side. At Reiun'in the shitchü had  against his master, Hosokawa  Masamoto  well as in the  style of the Japanese painter
       twelve sliding doors in all. Eight wide pan-  (1466-1507).  The nun  Seihan  studied Zen  Sôami, a senior contemporary  of Mo-
       els, four on the  east side and four on  the  with Daikyü Sókyü (1468-1549),  three  tonobu.  The  set shown here, executed in
       west side, depicted  summer and spring,  times abbot  of Myóshinji, and asked him  soft brushwork and  muted  ink tones, re-
       and four narrow panels on the north  side  to oversee the  subtemple  as its resident  flects the Muqi mode. The tradition of
       depicted  fall and winter scenes (shown  priest. In  1543 Daikyü purchased  a monks'  basing pictorial designs on Chinese proto-
       here). All of the  forty-nine paintings deco-  dormitory at Toganoo, west of Kyoto, and  types had already been firmly  established
       rating the  walls and doors of the  /zo/5, were  moved it to Reiun'in as its residential  by the  time of Motonobu. In  1485, for in-
       remounted as hanging scrolls in  1683. ^ n  quarters. At Reiun'in, the painter Kano  stance, Motonobu's  father  Masanobu
       1693, tne entrre  building was restored, and  Motonobu  (1476-1559), who then was re-  (1434-1530) had decorated  the  sliding door
       still exists.                       ceiving Zen training under Daikyü,  panels for the private chapel  of the  retired
          Reiun'in, established  in  1526 as a sub-  painted sliding door panels and walls of  Ashikaga shogun Yoshimasa (1436-1490;
       temple within Myóshinji, was founded by  four rooms of the building, including the  cat. 6) and used  several Chinese paintings
       the  nun  Seihan (d. 1534), who was widowed  shitchù. The paintings depicted land-  as models.
       in  1504 when her husband,  Yakushiji  Moto-  scapes with figures, moonlight, snow, and  The Reiun'in  paintings show  more
                                           flowers and birds. These were executed  in



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