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Minamoto  1954: Minamoto  Toyomune.  Mori 1972: Mori Hisashi. "Bijutsu shiryó  Nakajima  1971: Nakajima Junji.  "Shinjuan
           "Jingoji zo den Takanobu hitsu no gazô  toshite no Jôdoji engi" (Origin of the  Jo-  fusuma-e  no yôshikiteki kenkyü" (Stylis-
           ni tsuite no utagai" (Some remarks on  doji as an artistic material). In  Akdmdtsu  tic study of the  sliding door paintings at
          the date of the portraits by Takanobu,  Toshihide  Kyôju  tdikdn kinen  kokushi  Shinjuan). In Tanaka 19713, 87-117.
           1142-1205, preserved in the monastery  ronshù (Collection  of historical studies
          Jingoji). Yamato bunka no.  13 (1954):  in honor  of the  retirement  of Professor  Nakamura  1971: Nakamura Tanio, ed. Ses-
           10-19.                             Akamatsu Toshihide),  477-491. Kyoto,  son to Kantd  suibokugd (Sesson and  ink
                                              1972.                               painting of artists of the  Kanto region).
         Minamoto  1972: Minamoto  Toyomune.                                      No. 63 oí Nihon no bijutsu  (Arts of Ja-
           "Sogaha to Asakura bunka" (Soga   Mori  1974: Mori Hisashi. "Chórakuji  no  pan). Tokyo, 1971.
           school and the culture of Asakura clan).  Jishü shôzô chôkoku" (Statues of the
          Kobijutsu  no.  38 (1972): 29-39.   priests belonging to the  Ji-shu sect of  Nakamura  1976: Nakamura Tanio.  Sesshù.
                                                                                                        zenshû (Jap-
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          Soga Dasoku.  Vol. 3 of Nihon  bijutsu  Bukkyô geijutsu  no.  96 (1974): 3-33.  Nakamura  1978: Nakamura Tanio, éd. So-
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          Tokyo,  1980.                      Mori 1977: Mori Hisashi. Japanese  Portrait  jûga: Ryùko  enkd (Paintings of running
                                              Sculpture.  Trans, and  adapted  by W.  animals: Dragons and tigers, monkeys
         Mishima  1985: No no sekdi ten: Hosoka-  Chië Ishibashi. Vol. 2 of  Japanese  Arts  and  gibbons). Vol. 16 of Nihon bydbu-e
          wake denrai ni yoru (The  world of No:  Library. Tokyo, New  York, and  San  Fran-  shûsei (Japanese screen paintings).
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         Mitsuoka  1975: Mitsuoka Tadanari, ed. Edo  anese Buddhist sculpture). Kyoto,  1980.  artists surrounding Sakai Hôitsu).
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          Vol. 6 of Sekdi  tôji zenshû (Ceramic  art  Mori  1987: Mori Hisashi. Busshi  Kdikei
          of the  world). Tokyo, 1975.        ron: Zdhoban (A study of the  Buddhist  Nakamura  1980: Nakamura Kóya. Toku-
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         Mitsuoka and  Okuda  1977: Mitsuoka Ta-  Tokyo,  1987.                   (Research on the  documents  of Toku-
          danari and Okuda  Naoshige, eds. Mo-                                    gawa leyasu, rev. éd.). 3 vols. Tokyo,
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          (Statue of the  priest Eisai at the  Jufukuji  Tokyo,  1979.            world). Tokyo, 1977.
          Temple and Buddhist sculptors active in  Murashige  1982: Murashige Yasushi.
          the  Kamakura area). Museum  no. 155  "Hôitsu yôkenzu ema no genga ni  Naruse  1977: Naruse Fujio.  Shozdn,
          (1964): 22-26.                                                          Ndotdke.  Tdyô  bijutsu  sensho  (Selected
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         Miyama 1964^ Miyama Susumu.  "Kama-  tablet with Western dog painted by
          kura jidai no bushi zokutai shózó chó-  Hôitsu: Introduction  of copy work of  Nedachi  1986: Nedachi  Kensuke. "Nan-
          koku" (Kamakura-period secular portrait  Tôshuku's "Paired  dogs"). Museum  no.  zen'in no Issan Ichinei zô ni tsuite"
          sculpture of warriors). Miurd  kobunkd  3  377 (1982): 29-36.           (The  statue of the  priest Yishan Yining
          (1964).                            Muroga  1983: Muroga Nobuo.  Kochizu shd  of Nanzen-in). Museum  no. 420 (1986):
         Miyama  1981: Miyama Susumu.  Kamdkurd  (Selected  old maps of Japan). Tokyo,  4-16.
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          chdkoku  shi ronkd (Study of the history                              New  York 1972: Scholar Painters of  Japan:
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           hon  kdigd  hen (Selected  catalogue:  no doran (The  age of wars). Tokyo, 1975.  New  York  1973: Namban  Art: A  Loan  Exhi-
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         Mori 1950: Mori Tôru. "Minamoto Yori-  (Edo period  3: Imari and  Nabeshima  1973; St. Louis Art Museum,  1973;
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                                             Naitô  1981: Naitô Takashi. "Shaseicho no  in the Age of  Grandeur. Exh. cat.  The
         Mori 1957: Mori Hisashi. "Akana Hachi-  shikó: Edo chüki no konchü  zufu ni  Metropolitan  Museum  of Art, New
           mangü shinzô" (The  Akana Hachi-   tsuite" (The  thought  behind  albums of  York, 1975.
           rnangu Shinto  sculptures). Kokkd  no.  natural studies: Regarding the  mid-Edo
           789 (1957): 402-409.               albums of insect  studies). Hikaku shisd  New  York 1975-1976: Japanese  Art: Selec-
                                                                                          the
                                                                                  tions from
                                                                                                           Burke
                                                                                                     Jackson
                                                                                             Mary
                                                                                                 and
         Mori  1961: Mori Hisashi. Busshi  Kdikei  zdsshi  no. 4 (1981): 35-58.   Collection.  Exh. cat. by Miyeko Murase.
           ron (A study of the  Buddhist sculptor  Nakajima  1967,1968,1972: Nakajima  Junji.  The  Metropolitan  Museum  of Art, New
           Kaikei). Tokyo, 1961               "Sesshükei kachózu byóbu kenkyü"    York, 1975-1976; Seattle  Art  Museum,
                                              (Study of flower-and-bird  screens by Ses-  1977; Minneapolis Institute  of Art,  1977.
                                               shü and artists of his school).  Museum
                                              no.  199 (1967): 9-30;  no.  205 (1968):  4-21;
                                              no.  252 (1972):  4-23.

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