Page 10 - Catalogue Southeast Asian Ceramics
P. 10

Southeast Asian Ceramics New Light on Old Pottery



















                                                                          this page (from top):
                                                                          Ewer, angsa-shaped, celadon
                                                                          Sawankhalok
                                                                          14 th –15 th  C
                                                                          H: 10.3 cm, L: 12.6 cm, W: 7.8 cm
                                                                          NUS Museum S2003-0001-036-0
                                                                          In the form of a goose (angsa in Sanskrit, often
                                                                          transliterated as hamsa) with crest and recurved crescent-
                                                                          shaped tail touching the wide mouthrim; the bird’s head
                                                                          and long neck function as the spout; neck and collar of
                                                                          ewer are glazed with dark green; body of lighter celadon
                                                                          green is of depressed globular shape, incised with stylised
                                                                          anatomical parts (wings and tail). This form was commonly
                                                                          used by residents of Thailand, as well as made for export.
                                                                          Many variations on the form exist, and they were made
                                                                          in brown and black underglaze painted versions and
                                                                          monochrome white, as well as celadon (see Guérin & van
                                                                          Oenen 2005: 175–186). They assigned a relatively late date,
                                                                          after 1500 CE, to the peak of production of these ewers.
                                                                          The goose was the vehicle of the deity Brahma in Hindu
                                                                          mythology; in Myanmar the statue of a goose is often
                                                                          found on top of pillars (stambha) in courtyards of Buddhist
                                                                          temples. This refers to a legend of a flood. A gold version
                                                                          was found in the crypt beneath Wat Ratburana at Ayutthaya,
                                                                          and the motif often appears in other media such as gilded
                                                                          cast iron on more recent temples. (Cf. Willetts 1971: pl 339)
                                                                          Donated by Dr Peter Lu.
                                                                          Kendi
                                                                          Sawankhalok
                                                                          15 th –16 th  C
                                                                          H: 14.2 cm, D: 16cm
                                                                          NUS Museum S1954-0054-001-0
                                                                          “Of flattened globular shape and with a mammiform spout;
                                                                          the neck with a flange below the mouthrim; decorated in
                                                                          underglaze iron-black; the neck-flange and the shoulder
                                                                          at the base of the neck with rosettes of lotus petals; the
                                                                          body with six complete and two interrupted ovoid panels
                                                                          containing vegetal sprays; the spout with six plantain leaves
                                                                          on the ‘breast’, and a rosette of lotus petals round the
                                                                          ‘nipple’; with two incised circular bands on the lower body;
                                                                          the carved footrim with its outer side moulded and splayed,
                                                                          its inner side chamfered down to the base, disclosing an
                                                                          oatmeal biscuit and a distinct pontil scar.” (Willetts 1971:
                                                                          pl 183; cf. also Brown 2002a: 53) The majority of                                                                                                 Thailand
                                                                          Sawankhalok kendis had mammiform spouts. In addition
                                                                          to Thailand, many examples have been found in Java,
                                                                          Kalimantan, Sumatra and Bali; they are however rare in the
                                                                          Philippines and Sulawesi (Guérin & van Oenen 2005: 158).
                                                                          opposite (top and bottom right):
                                                                          Kiln waster and assorted kiln furniture
                                                                          Kalong, Thailand                                                                                                                               119
                                                                          15 th –16 th  C
                                                                          Various
                                                                          Private Collection
                                                                          Seven pieces: one kiln waster comprising a bowl and fallen
                                                                          tubular support; one tall pontil, three stands of varying
                                                                          heights and two tripod-shaped supports.
                                                                          (bottom right):
                                                                          Grey jarlet with ring handles
                                                                          Kalong, Thailand
                                                                          H: 12.5 cm, D: 10 cm
                                                                          Private Collection
                                                                          Grey-glazed jarlet with two pierced ring handles; on body,
                                                                          faintly incised vertical lines between two horizontal bands of
                                                                          same design. (Cf. Honda & Shimazu 1997: 212 pl 279)
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