Page 21 - Popular Deities of Chinese Buddhism (Illustrated) and Symbols
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C I






             ypical hinese onastery



            e Chinese Buddhist monastery or temple is fashioned after

            the palaces and bears very little resemblance to that of temples in


            India or any other Buddhist countries. Generally there are three

            groups of buildings separated by courtyards. e monastery, like

            other Chinese structures, normally faces south.



            Entering the front hall, one is confronted by four huge images,

            usually made of wood, two on each side. ese are the Four


            Heavenly Kings or Devas, the Guardians of the four Directions,

            and the hall is named after them as the ‘S T W T’.

            In this hall too, one is greeted at the entrance, by the lovable and

            kindly Buddha-to-be, Maitreya Buddha, known to the Chinese

            as the ‘Laughing Buddha’ or ‘Ta-pao Mi-Lei-Fwo’, who has a fat

            paunch, looking joyously towards the entrance. Directly behind

            Mi-Lei-Fwo, often separated by a wall, is the great Deva Wei-


            to, the Protector of Buddhist temples and Faith. He is depicted

            clad in full armour and holding either a gnarled staff or a sceptre-

             shaped weapon of assault resting on the ground. Wei-To, who is

            a general under the Four Heavenly Kings, is also accorded the

            title of ‘Protector of Buddhist Books’. He is always facing the

            Great Hall known as the ‘T-H-P-T’ which is sepa-

            rated from the front hall by a wall or a courtyard.




            In the Great Hall the main altar is found along with the images

            of  Sakyamuni  Buddha  and  his  two  foremost  disciples  Maha-




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