Page 11 - Christie's Hong Kong November 29, 2022 Chang e Wha Collection of Jades
P. 11

THE AWE INSPIRING BEAUTY OF

          THE TWO HAN DYNASTIES

          Hsiung Yi-Ching













          Duke Mu of Qin reached the position of one of the Five Hegemons   Although Confucianism became the dominant philosophy after Wudi
          of Spring and Autumn in the mid-Spring and Autumn period; and   Emperor, Daoist and Legalist ideas were incorporated in the Han
          Duke Xiao of Qin, advised by Shang Yang in regulatory reforms, was   ideology. The Han period valued popular literature and art, showing
          one of the Seven Powers of Warring States. In 221 BC, Ying Zheng,   the inclusivity of its culture. Classism and romanticism; stability and
          the King of Qin, conquered the other six states to become the first   flexibility; gravity and dexterity; tradition and creativity; heroism and
          emperor of China, known as Qin Shihuangdi. The Qin Dynasty lasted   serenity;  naivety  and  refinement;  these  contrasts  make  Han  culture
          only 15 years, and ended when Liu Bang entred the Guanzhong Basin,   and art appear at the same time orthodox yet ground breaking, full of
          prompting Zi Ying to surrender.                     vitality as well as solemnity, forming an all-encompassing style.
          The Qin Dynasty, although short-lived, has many accomplishments:   Spanning 426 years, the Han Dynasty was mostly a prosperous trading
          the standardisation of the writing system, carriage width, measuring   nation with immense power, and its vigor as a great nation and its
          system and coinage system; the building of expressways, the Honggou   cosmopolitan characteristics are reflected in excavated objects of this
          and Lingqu canals; the systems of management and selection of officials.   period, especially in the high quality craftsmanship and use of material
          The  basic structures of  government,  law,  economy and  taxation   of the jades.
          were  formed  during  this  time  and  inherited  and  built  upon  by  the
          Han Dynasty. In art and culture, apart from the astounding discovery   Due to the success of the Silk Road, the lustrous and fine ‘Khotan jade’
          of the terracotta army, it is very rare to find examples from this period   was now obtainable from thousands of miles away, and became the
          due to the short reign. The jade figures (lot 2701) are one of those     preferred material to make jades for the Han aristocracy, replacing
          rare examples.                                      the locally sourced materials of mixed quality that have been popular
                                                              since the Shang and Zhou periods. The reverence placed on jade by
          Qin’s demise was followed by the short Chu-Han Contention War,   Confucianism also makes jade the de rigueur ornament of choice.
          won by Liu Bang, who established Han Dynasty. Han Dynasty was
          divided into Western Han (202 BC – 9 AD) and Eastern Han (25 – 220   Han dynasty jades have a wide variety of shapes and forms. The ritual
          AD), and often called The Two Han Dynasties by historians. Western   objects mostly follow the traditions of Warring States jades, while
          Han was established by Liu Bang, the Gaozu Emperor (256 or 247 –   ornamental, utility or burial jades are much more inventive and many
          195 BC), with its capital in Chang’an. Eastern Han was established by   new styles appeared after Wudi Emperor’s reign. In ornamental jades,
          Liu Xiu, the Guangwu Emperor (5 BC – 57 AD), with its capital in   new forms such as jade dancers, archer’s-ring pendants, Weng Zhong
          Luoyang. There is a short Xin Dynasty (9 BC – 23 AD) established by   figures,  gangmao pendants and ‘compass’ pendants appeared. Animal
          Wang Mang (45 BC – 23 AD).                          carvings in the round such as  bixie, bear, tiger, buffalo, ram, pig,
                                                              tortoise, eagle etc. are lifelike and animated, in beautifully lustrous
          The Han culture and arts are nourished from various rich sources,   materials, and have become important symbols of Han Dynasty
          incorporating the Chu Culture of middle Yangtze River region, the   jade carving.
          Qi-Lu Culture of lower Yellow River region around Mt. Tai, the
          Zhongyuan Culture in the middle Yellow River region; the Guanzhong   As iron tools became more widely used, lapidary techniques greatly
          Basin Culture of the upper Yellow and Wei River region, the Northern   advanced in the Two Han Dynasties. Hollowing, pierced designs,
          Culture (Yan-Zhao Culture) in Huabei, around the Haihe River   polishing, inlay work, wheel cutting, loose rings, relief work etc. were
          region. It also includes the Bashu Culture to the southwest, the Wu-  well developed by this time. In particular, Han badao (eight-cut) and
          Yue Culture in the Jiangsu-Zhejiang region, and the Lingnan Culture   yousi ke (curving-string thread carving) are two of the most important
          to the south of the Wuling Mountains.               techniques developed in the Han period.
          The two western expeditions of Zhang Qian (164 -114 BC) saw the   The Beijing Palace Museum has a concise description for Han badao:
          beginning of communications between China and the Central Asian   ‘There is a unique recess carving technique in ancient Chinese lapidary.
          countries, and the start of the flourishing trade between East and West,   This technique first appeared on jade bi discs of late Warring States
          which enabled the forming of Silk Road and laid the foundation for   period, and reached maturity in the Han period. It is often seen on jade
          the future establishment of Xiyu Duhu (Protectorate of the Western   cicadas, pigs, Weng Zhong figures and some jade bi discs decorated with
          Regions). Ban Chao (32-102) of Eastern Han, stationed at the western   kui dragons or phoenixes. The technique does not consist of eight knife
          frontier for 30 years, oversaw the continuing economic and cultural   cuts as its name suggests, but involves the use of angled wheel cut, so
          exchanges between Han and the western countries and secured the   is also called daxiedao (very angled cut). The carving is very sharp and
          western borders. The Silk Road and the trade with the west brought   done neatly as if in one stroke, almost without any traces of individual
          many artistic and cultural influences, making Han Dynasty the first   wheel marks. Also the recess is polished right down to the end, giving
          cosmopolitan culture in Chinese history.            the illusion that it has been cut by a knife, and looks very minimal
                                                              and effective.’



                                                                                                              9
   6   7   8   9   10   11   12   13   14   15   16