Page 12 - The Age of Sultan Suleyman the Magnificent
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for  their  generosity  in  facilitating my  research:  Leopoldine Arz and  Gary Vikan in  Baltimore;
                                   Vishakha  Desai and  Jean-Michel  Tuchscherer  in  Boston;  Kjeld  von  Folsach in  Copenhagen;
                                   Elsie  Holmes Peck  in  Detroit; David James  in Dublin; Sheikha  Hussa al-Sabah  in Kuwait;
                                   Princess  Esra  Jah,  J.  Michael  Rogers, and  Oliver Watson  in  London;  S. Gary  Welch  in  New
                                   York;  Marthe  Bernus-Taylor in  Paris;  Rifaat  Sheikh al-Ard  in  Riyadh; and  Christian  Beaufort-
                                   Spontin  and  Angela  Vôlker in Vienna.  A special thanks  goes to  the  late  Edwin  Binney,  3rd,
                                   for  his generous  and  enthusiastic  endorsement.
                                     I would  also  like to thank  David Alexander  for encouraging  me  to  include  a larger  selection
                                   of  ceremonial  arms  and  armor;  Hüsamettin Aksu, Ludvik  Kalus, Anatol Ivanov,  and  Mo-
                                   hamed U. Zakariya for translating  and  verifying  inscriptions;  Reha Günay for taking the  photo-
                                   graphs  of the  objects in  the  Turkish collections; Zeki Findikoglu  for designing the  cover  and
                                   drawing  the  reconstructions  of fragmentary  textiles; Alan Fisher for reading  the  chapter  on
                                   the  historical  setting; Walter B. Denny for reading the  entire text and  giving constructive sug-
                                   gestions;  and  Nurhan Atasoy, Ülkü  Bates, John  Carswell, Talat  S. Halman, and  Louise W.
                                   Mackie  for providing references as well as  encouragement.
                                     My tenure  as guest curator  at the  National Gallery of Art was  the  most  pleasant  and  mem-
                                   orable part  of the  project.  The generous  support  and  hospitality  of the  director,  J.  Carter
                                   Brown,  and  his  staff  were extremely gratifying,  enabling the  exhibition  and  its related  activi-
                                   ties  to  be  successfully realized.  I am  particularly grateful  to  D. Dodge Thompson,  Chief of Ex-
                                   hibition  Programs,  and  the  members  of his department;  and  to those  who  worked  on  the
                                   production  of the  book:  Melanie  B. Ness, the  designer; Jane  Sweeney,  the  editor;  and  Mary-
                                   rose  Smyth,  my invaluable assistant.
                                     This publication,  which  is the  result  of years of research,  is dedicated  to  these  and  other
                                   friends  and  associates who  shared  my enthusiasm  and  optimism,  gave me  moral  support  and
                                   encouragement,  and  assisted me  in my studies by providing me  references and  information.



                                   Esin Atil


















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