Page 33 - Sotheby's Qianlong Calligraphy Oct. 3, 2018
P. 33

fig. 4
                             Carved mark on an inscribed white jade bowl (fig.3), yuyong
                             mark and period of Qianlong
                             Qing court collection
                             Image Courtesy of Palace Museum, Beijing
                             圖四
                             清乾隆 圖三白玉題詩盌之《乾隆御用》款 清宮舊藏
                             圖片鳴謝:北京故宮博物院






                             Aside from the Qianlong Emperor’s appreciation of the   As a sign of his passion for jade bowls, the Qianlong Emperor
                             importance of jade bowls in nomadic culture and the   wrote around 30 poems on them throughout his life.
                             Manchus’ own tea-drinking customs, the Emperor also had   These were inscribed on jade bowls from different periods.
                             a more profound and personal reason for his love of jade   Moreover, under his reign, a staggering amount of jade bowls
                             bowls. In 1775 and 1786 respectively, he wrote poems in   were made, surpassing the quantities of all other types of jade.
                             praise of a jade bowl (fig. 7) and a Khotan white jade bowl   Jade bowls in the Palace Museum collection alone number
                             (fig. 8). In his annotations to them, he indicated that the   over 2000.
                             tea-bestowal ceremonies were a symbolic expression of his   To be sure, most of these jade bowls were ordinary utensils
                             benevolence towards his subjects. These poems are inscribed   meant for banquets. They were often made from large pieces
                             on four jade bowls in the Palace Museum collection (figs 9   of raw jade or from material hollowed from larger vessels,
                                    13
                             and 10),  which were used in tea-bestowal ceremonies like   including shanliao jade. These bowls were often made in
                             the aforementioned three bowls. Jade bowls reminded the   dining sets alongside basins, plates, and cups to ensure
                             Qianlong Emperor of a quotation attributed to Confucius   consistency of colour, although they far outnumbered other
                             in Hanfeizi: “The ruler is like the yu vessel, and the people   vessels. An entry from the 44th year of the Qianlong reign
                             like water. If the yu is square, the water is square. If the yu   in the palace workshop records, for example, refers to the
                                                  14
                             is round, the water is round.”  Substituting the bowl for the   creation of 42 jade bowls and 12 jade plates. 17
                             yu vessel, the Qianlong Emperor took it as a symbol of his
                             benevolent and just rule, which would ensure the continual   Extant documentation indicates that banquets during the
                             peace and prosperity of his realm.             later part of the Qianlong reign required vast quantities of jade
                                                                            bowls, each necessitating the creation of over a hundred of
                             Among the jade bowls definitely used for the Qianlong   them. Such large-scale production was only possible because
                             Emperor’s tea-bestowal ceremonies, there is only one made   of improved efficiency enabled by innovations in tools and
                             from green jade; all of the other six were made from white jade   techniques. The lathe was invented during this period, and
                             that satisfies the aesthetic requirement of resembling mutton   most of the tea bowls in the Qianlong court were created on
                             fat. The Qianlong Emperor expressed his preferences clearly   lathes. The palace workshops recorded hiring “lathe experts”
                             in a poem: “Among the five colours, white should naturally   like Pingqi and Zhu Yunzhang to teach younger jade craftsmen
                             come first; bowls with the appropriate circumstance and   how to operate lathes. 18
                             capacity are the finest”.  The dimensions of the extant jade
                                              15
                             bowls conform to the standards of the Qing court. 16







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