Page 81 - Indian and Himalayan Art, March 15, 2017 Sotheby's NYC
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PROPERTY FROM THE LANIER COLLECTION                   Given the loose and spontaneous nature of our       For further discussion see M. C. Beach, ‘Wall
                                                      drawing - with its many pentimenti and vigorous     Paintings at Bundi: Comments and a New
AN ELEPHANT COMBAT                                    handling - it may be safe to assume that the        Discovery’, in Artibus Asiae 68/1, 2008, M. C.
India, Rajasthan, Kotah,                              present drawing is not just a copy of an elephant   Beach, ‘The Masters of the Chunar Ragamala and
late 17th/early 18th Century                          combat composition from the Badal Mahal - it is     the Hada Master,’ in M. C. Beach, E. Fischer and
                                                      clearly pounced for transfer. It could be that our  B. N. Goswamy, Masters of Indian Painting 1100-
Black ink and charcoal with yellow highlights and     drawing represents a working-out phase of the       1650, Artibus Asiae Sup. 48/I, 2011, p. 291–304,
white chalk on pounced paper                          composition as a stage toward the completion of     and in D. Mason (ed.), Intimate Worlds: Indian
image: 17¾ by 22¾ in. (43.2 by 55.8 cm)               the wall paintings at the palace.                   Paintings from the Alvin O. Bellak Collection,
                                                                                                          Philadelphia, 2001, p. 158–9, cat. 65.
PROVENANCE                                            An ink drawing in the Philadelphia Museum from
                                                      the Alvin O. Bellak Collection (accession no.       $ 4,000-6,000
Christie’s New York, March 20, 2012, lot 314          2004-149-61) depicts a more elaborated but
                                                      smaller version of the same scene as a more
Two immensely powerful elephants tangle and
thunder in combat - their handlers leaping and         nished drawing. Milo Cleveland Beach has
scattering as a single mahout attempts to control     identi ed an artist he has termed “The Hada
one with his goad.                                    Master” as the creator of the Bellak drawing and
                                                      connects that drawing to a composition at the
This composition is very close to a wall painting in  Badal Mahal.
the Badal Mahal (“Cloud Palace”) at the Palace of
Bundi and this large drawing may have been used
as a modello for transfer to a wall as evidenced by
its pinpricked outlines and pouncing.

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