Page 86 - Indian and Himalayan Art, March 15, 2017 Sotheby's NYC
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PROPERTY FROM THE LANIER COLLECTION                 hennaed palm is raised in a youthful mudra           Golconda painting from the latter Seventeenth
                                                    of objection, as her stern governess gestures,       Century whose mysterious Mona Lisa-like smile
AN IRREPRESSIBLE MAIDEN                             reminding her that it’s past time to return home     reminds us greatly of our young maiden.
India, Deccan, Golconda,                            to perform her rituals. Against a brilliant warm
circa 1720-30                                       yellow background with swirling gray-blue clouds     Our imploring gray-haired duenna has her
                                                    above as owers blossom beneath her feet. With        counterpart in several known paintings from
Opaque watercolor heightened with gold on paper     blue-green inner and wide red outer borders with     Kotah and Bundi in Rajasthan during the
image: 7¼ by 5¼ in. (17.7 by 12.7 cm)               black ruled lines.                                   early Nineteenth Century. We nd very close
folio: 13 by 9½ in. (33 by 22.8 cm)                                                                      comparables in paintings from Kotah. These
                                                    This extremely sensitive and re ned painting         works - although not nearly as ne, crisply
PROVENANCE                                          shows the con uence of both Deccani and              painted or expressive as our own - depict very
                                                    Rajasthani (particularly Bundi/Kotah) traditions.    similar governess gures with nearly identical
Sir Howard Hodgkin                                  Its glowing color, sensuality and lively movement    hand gestures, costume and frustrated facial
Sam Fogg Ltd., London                               seem Deccani. Costume details like the maiden’s      expressions. Our charming maiden seems to
Acquired 1999                                       veil and long patka, delicate jeweled ornaments      have originated as a Deccani motif which found
                                                    and her ne facial features all seem to suggest a     favor in Rajasthan - perhaps brought there by
In this delightfully elegant painting, a young      Golconda origin. The maiden’s yearning touch of      relocating Deccani artists able to recapture the
maiden is seen in the heat of an outdoor summer     a slender tree trunk is a repeated motif in Deccani  lighthearted charm found in the earlier Golconda
day, wearing a diaphanous muslin upper garment      works and we may nd a comparably insouciant          artworks.
and transparent shawl. She grasps the slender       attitude in the “Courtesan” - see Zebrowski,
trunk of a leafy mango tree - the long black hair   Deccani Painting, London, 1983, g.179 for a          $ 12,000-18,000
falling down her back visible behind her. One foot
languidly slides out of her slipper. Her closed

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