Page 94 - Contenporary Ink Chinese Painting Nov 27 2017 Hong Kong
P. 94

Trained as a traditional ink artist,
                                                                             Wu Hsueh-Jang has sought to
                                                                             continuously revolutionise his work
                                                                             with a childlike innocence. Wu
                                                                             studied under modern Chinese
                                                                             painting masters such as Lin
                                                                             Fengmian, Huang Binhong, Pan
                                                                             Tianshou, Li Keran and Fu Baoshi
                                                                             at the Hangzhou National Art
                                                                             College in 1943 and subsequently
                                                                             moved to Taiwan in 1948.

                                                                             Wu’s work arouses childhood or
                                                                             ancestral memories by depicting
                                                                             adorable figures with minimalist
                                                                             lines or patterns from ancient
                                                                             myths. His work reflects the
                                                                             revolutionary spirit of the frontiers
                                                                             of contemporary ink art. Emitting
                                                                             a vibrant energy, Footprints (Lot
                                                                             874) was created after his root-
                                                                             searching journey to mainland
                                                                             China where he was inspired by
                                                                             patterns on ancient bronzeware
                                                                             and spirals on Neolithic pottery.
                                                                             Here, he restages this fascination
                                                                             with the ever-changing universe
                                                                             with an almost ritualistic dance
                                                                             of brush on paper. The uneven
                                                                             application of colours in the
                                                                             background adds a naïve and
                                                                             humanistic touch that departs
                                                                             from the geometric abstractionism
                                                                             of Europe. Joy (Lot 873) portrays
                                                                             a family of baby geese following
                                                                             their mother with highly simple
                                                                             lines, which is a continuation of the
                                                                             expressionist tradition in Chinese
                                                                             painting. The mottles created by
                                                                             dyeing technique recall a memory
                                                                             of home.

   873                                                                       吳 學 讓(1 9 2 4 -2 0 1 3)
   WU HSUEH-JANG (1924-2013)                                                 樂
   Joy
                                                                             水墨 蠟染 絹本
    Scroll, mounted and framed                                               2012年作
    Ink and batik on silk
    71 x 56 cm. (28 x 22 in.)                                                展覽
    Executed in 2012
                                                                             台北,國立臺灣美術館,“線性.符號.東方幾何-吳學讓藝
     EXHIBITED                                                               術特展”,2017年2月18日-5月7日
                                                                             台北,國立國父紀念館,“夢中家園-吳學讓95紀念特展”,
    Taipei, National Taiwan Museum of Fine Arts, Linearity•Symbols• Eastern  2017年8月17日-9月27日
    Geometry – Wu Hsueh-Jang Art Exhibition, 18 February-7 May 2017
    Taipei, Sun Yat-sen Memorial Hall, Dreaming of Homeland - Wu Hsueh-Jang  出版
    95th Memorial Exhibition, 17 August-27 September 2017
                                                                             《線性.符號.東方幾何-吳學讓藝術特展》,國立臺灣美術
     LITERATURE                                                              館,台北,2017年2月,第217頁

    Linearity•Symbols• Eastern Geometry – Wu Hsueh-Jang Art Exhibition,      《夢中家園-吳學讓95紀念特展》,國立國父紀念館,台北,
    National Taiwan Museum of Fine Arts, Taipei, February 2017, p. 217       2017年8月,第118頁
    Dreaming of Homeland - Wu Hsueh-Jang 95th Memorial Exhibition, Sun Yat-
    sen Memorial Hall, Taipei, August 2017, p. 118

    HK$80,000-100,000
    US$11,000-13,000

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