Page 65 - Bonhams, The H Collection, Classical Chinese Furniture, May 13, 2021 London
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in the Shanghai Museum. Here, a lovesick court lady is depicted sitting  See a related huanghuali single-bed, Ming dynasty, late 16th/early 17th
           on a platform with slender horse-hoof feet, appearing to converse with   century, displaying a waisted frame and lacking the side stretchers,
           a parrot looking down from his elegant metal pedestal. In addition,   illustrated by G.Ecke, Chinese Domestic Furniture, London, 1962,
           a woodblock illustration by Ding Yunpeng (1547-c.1621) depicts a   pl.19.15. Two other examples are illustrated by S.Handler, Austere
           scholar joyfully ensconced with his book and scroll on a large platform.  Luminosity of Chinese Classical Furniture, Berkeley and Los Angeles,
           Leaning on a semi-circular armrest, he appears to be waiting for the   2001, p.116 and by R.H.Ellsworth, Chinese Furniture: Hardwood
           refreshments being carried by his attendant. Finally, ‘Waves on the   Examples of the Ming and Early Ch’ing Dynasties, New York, 1971,
           Bank’, a handscroll by Shen Zhou (1427-1509) shows a contemplative  no.38, p.146. Finally, a pottery miniature figure of a platform exhibiting
           scholar seated on a platform in front of a large single-panel screen   a similar frame to the present example, in the Shanghai Museum,
           before the open door of his country retreat overlooking a small stream;   Shanghai, was unearthed from the Ming dynasty tomb of Pan Yuan
           see S.Handler, Austere Luminosity of Chinese Classical Furniture,   Zheng (1589), illustrated by Wang Shixiang, Connoisseurship of
           Berkeley, 2001, p.117, fig.8.15, p.118, fig.8.18 and p.121, fig.8.22.    Chinese Furniture, Hong Kong, 1990, vol.1, pl.1.3a.

           The patrons of Ming furniture makers preferred simple lines and   Furniture made of exceptionally large single-planks of huanghuali
           structural simplicity to elaborate carving and sumptuous decoration. In   wood would have been extremely rare and expensive to make at
           addition, at the time, the strength rather than the grain of the wood, was   the time, and is still highly expensive today. See, for example, a
           considered the most important feature of platforms, so they were often   magnificent and very rare massive huanghuali plank-top pedestal
           constructed with the wood obtained from the centre of the tree, which   table, 17th/18th century, which was sold at Christie’s New York,
           was less prone to warping if it had been aged and cured for a long time.   22 March 2013, lot 1323.




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