Page 94 - Liesurely Life Fine Objects Christies Hong Kong May 2018

THE PROPERTY OF A LADY
2941
A SMALL CELADON-GLAZED CONJOINED VASE 清雍正 粉青釉雙連瓶 六字楷書橫款
YONGZHENG SIX-CHARACTER MARK IN A LINE IN UNDERGLAZE
BLUE AND OF THE PERIOD (1722-1735) 來源
The vase is in the form of a pair of conjoined bottle vases, with 法國，巴黎Maurice Solvay夫人珍藏
their spherical bodies connected just below the slender tapered 白納德夫婦珍藏，香港蘇富比，1988年11月15日，拍品65號
necks and above the flared feet, covered in a pale celadon glaze 張宗憲珍藏，香港佳士得，2000年10月31日，拍品825號
pooling in the joint and thinning at the mouth rims, the unglazed
feet revealing the smooth white body, the reign mark is inscribed 展覽
in a line below one rim. 倫敦佳士得，《雲海閣重要中國古代陶瓷：張宗憲珍藏展》，
4 in. (10.2 cm.) high, box 1993年，圖錄圖版64號
HK$2,800,000-3,500,000 US$360,000-450,000 雙連瓶為雍正時期的創新器型，同時期亦有三、四、五、六等多連瓶。耿
寶昌《明清瓷器鑒定，清代部份》，台北，頁72，圖90（15）號著有同
PROVENANCE 類器型。國立故宮博物院藏有一件但器形略大的雙連瓶，釉色極為接近，
Madam Maurice Solvay, Paris 口沿橫款一致，載於《雍正─清世宗文物大展圖錄》，台北，2009年，
Paul and Helen Bernat, sold at Sotheby’s Hong Kong, 15 頁253，
November 1988, lot 65 圖版76號。另有一件天藍釉雙連瓶藏於法國吉美美術館，見《Oriental
The Robert Chang Collection, sold at Christie’s Hong Kong, 31 Ceramics, The World’s Great Collections》，第7冊，東京，1981年，圖版
October 2000, lot 825 168號。
EXHIBITED
Christie’s London, An Exhibition of Important Chinese Ceramics from
the Robert Chang Collection, 2-14 June 1993, Catalogue, no. 64.
Shuanglianping or ‘double-bottle vase’ is one of the innovative shapes
during the Yongzheng peiod. The shape is illustrated by Geng
Baochang in Ming Qing Ciqi Jianding, Qingdai Bufen, Taipei, p. 73,
fig. 90 (15).
Another slightly larger double-bottle vase, also covered in a celadon
glaze and with the same arrangement of the reign mark, is in the
National Palace Museum and included in Harmony and Integrity. The
Yongzheng Emperor and His Time, Taipei, 2009, p. 253, pl. 76. Another
vase of this form and similar size in lavender glaze from the Grandidier
Collection, now in the Musée Guimet, is illustrated in Oriental
Ceramics-The World’s Great Collections, vol. 7, Tokyo, 1981, no. 168.

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