Page 151 - J.J. Lally Chinese Art CHRISTIE'S March 23 2023 NYC
P. 151

AN EXCEPTIONALLY RARE GUAN WARE VASE

                                                Rosemary Scott, Independent Scholar




                                                       南宋官窯膽≡

                                                         蘇玫瑰 ġ 獨立學者









                     his elegant vase is a very rare Guan ware example of a   Guan wares made for the Southern Song court, although greatly
                     form that is known in Chinese as a dan ping or danshi   inspired by the imperial Ru wares of the Northern Song, tend to
               Tping, literally meaning gallbladder vase. This name may   have much darker body material. Where the glaze has either run
               be a simple reference to the shape of the vessel, but could equally   thin on the mouth of the vessel or where there is no glaze on the
               carry with it the connotation of bravery or courage, which is also   edge of the foot rim, the dark colour of the body shows through.
               associated with the character dan. Essentially, it is a graceful pear-  This aesthetically-appreciated feature of Guan wares is known in
               shaped vase with columnar neck raising from sloping shoulders   Chinese as zikou tiezu ‘purple mouth and iron foot’ and can clearly
               and with a straight mouth, devoid of eversion. A shard from   be seen on the current vase. Analyses carried out at the National
               what appears to be a similar vase was found at the kiln site at   Palace Museum, Taiwan, indicates that in general - ignoring trace
               Wuguishan, in the suburbs of modern-day Hangzhou, and is now   elements - the clay used at the southern Guan kilns contained
               in the Tokyo National Museum (illustrated by Koyama Fujio in   about 65% silica, 20-28% alumina, and 2-4.2% iron oxide (see Ts’ai
               Toji Taikei, volume 36, Tokyo, 1978, p. 113, fig. 44, upper right;   Ho-pi, “An Overview of the Exhibition of Sung Kuan Ware”,
               and by Y. Mino and K.R. Tsiang in Ice and Green Clouds – Traditions   Catalogue of the Special Exhibition of Sung Dynasty Kuan Ware, Taipei,
               of Chinese Celadon, Indianapolis, 1986, p. 168, fig. 66a). This shard   1989, p. 29). This high iron content is responsible for the rich, dark
               is significant in respect of the current vase, since Wuguishan has   colour of the Guan body material.
               been identified as the site of the Jiaotanxia kiln, which was one
               of the two kilns producing Guan (official) wares for the Southern   The glaze on the current vase and other high quality Guan wares
               Song imperial court, after its capital was established at Lin’an   is bluish in tone, relatively thick and deliberately crackled. The
               (modern-day Hangzhou) following the fall of the Northern   texture and crackle of Guan wares is believed to have been created
               Song. Initially discovered in the 1930s, this site was thoroughly   in deliberate emulation of jade. The glaze was applied in several -
               investigated by Chinese archaeologists between 1985 and 1986   possibly as many as four - layers. This facilitated the achievement
               (see Zhu Boqian, ‘A Pearl among Greenwares: Guan Ware of the   of a glaze with richness of texture and colour. The glaze contained
               Southern Song’, Transactions of the Oriental Ceramic Society, vol. 56,   a high percentage of calcia, in the region of 15% - compared, for
               1991-1992, London, 1993, pp. 29-35). The Southern Song Dynasty   example, to 5-12% in Longquan glazes. This makes the Guan
               Official Kiln Museum has been built at the Wuguishan site.  ware glaze rather viscous and also promoted the crackle that is so







               此≡清雋素雅,是一例彌足Ⅷ貴的官釉膽≡ 	Քल「膽式≡」
,因狀                     查,詳見朱֬謙所著 " 1FBSM BNPOH (SFFOXBSFT  (VBO 8BSF PG UIF
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               ㈲,本品造型雅潔,१梨形,長直頸,溜肩,直ऑ無外翻ǯ東京國立博物                     頁      	倫敦:    
ǯ如ի,南宋官窯博物館即坐落於烏龜山遺址ǯ
               館藏烏龜山 	ի杭州巿郊
 出土殘器應源自近ַ≢≡,圖見小山富士夫
               《陶磁大系》卷  頁   圖  ठӳ 	東京:    
,औज參照蓑㎒與蔣՞               為南宋朝廷燒造的官窯器,雖然大致խս北宋汝窯御≢為藍本,ֿ其
               কभ著的《*DF BOE (SFFO $MPVET ě 5SBEJUJPOT PG $IJOFTF $FMBEPO》  胎色明顯較深ǯ器ऑ釉薄或足沿素胎處,ज見深色胎土ǯ此即「紫ऑ鐵
               頁   圖  B 	印✄安納波利斯:    
ǯ由於烏龜山→已推定為南宋朝                足」,這一官窯器的審美特徵在本拍品一㈇無遺ǯ根據臺北國立故宮
               廷 	北宋Տ國之後建都臨安的政權,位於ի日杭州
 兩大官窯之一的郊                    博物院的分析,除微量元素之外,南宋官窯胎土大多्   的氧化ⓝ,
               壇Ӵ遺址,所ս就本拍品而㈲,該例殘器ज謂意義重大ǯ這一遺址發                       氧化鋁佔      ,氧化鐵則為      ,就此ज參考蔡ক∣論文 "O
               →於    年ջ,中國考ऒ專家曾於    及    年間展開深入全面的調                 0WFSWJFX PG UIF &YIJCJUJPO PG 4VOH ,VBO 8BSF  詳見《宋官窯特展》


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