Page 168 - Malcolm Gladwell - Talking to Strangers
P. 168

Chapter Seven: A (Short) Explanation of the Amanda Knox Case


                    “A  murder  always…want  in  a  story?”:  Amanda  Knox,  directed  by  Rod  Blackhurst  and  Brian
                    McGinn (Netflix, 2016). Also from that documentary are the following: Knox’s list of lovers (in
                    footnote); “She started hitting…suspect Amanda” (in footnote); “Every piece of proof…no doubt of
                    this”; and “There is no trace…not objective evidence.”
                    “The amplified DNA…borderline for interpretation”: Peter Gill, “Analysis and Implications of
                    the  Miscarriages  of  Justice  of  Amanda  Knox  and  Raffaele  Sollecito,”  Forensic  Science
                    International: Genetics 23 (July 2016): 9–18. Elsevier, doi:10.1016/j.fsigen.2016.02.015.
                    Judges correctly identify liars: Levine, Duped, chapter 13.
                    Levine found this pattern: This refers to experiment 27 in Levine’s Duped, chapter 13. See also
                    Timothy Levine, Kim Serota, Hillary Shulman, David Clare, Hee Sun Park, Allison Shaw, Jae Chul
                    Shim, and Jung Hyon Lee, “Sender Demeanor: Individual Differences in Sender Believability Have
                    a  Powerful  Impact  on  Deception  Detection  Judgments,”  Human  Communication  Research  37
                    (2011): 377–403. Also from this source is the performance of trained interrogators on matched and
                    mismatched senders.
                    In a survey of attitudes toward deception: The Global Deception Research Team, “A World of
                    Lies,” Journal of Cross-Cultural Psychology 37, no. 1 (January 2006): 60–74.
                    “It wasn’t so much…care about this”: Markopolos, No One Would Listen, p. 82.
                    “And though it’s risky…Tsarnaev smirked” (in footnote): Seth Stevenson, “Tsarnaev’s Smirk,”
                    Slate,  April  21,  2015,  https://slate.com/news-and-politics/2015/04/tsarnaev-trial-sentencing-phase-
                    prosecutor-makes-case-that-dzhokhar-tsarnaev-shows-no-remorse.html.
                    “In the Boston Marathon Bombing…remained stony-faced”: Barrett, How Emotions Are Made,
                    p. 231.
                    “I’d do things…fall-over hilarious”: Amanda Knox, Waiting to Be Heard: A Memoir (New York:
                    Harper, 2013), pp. 11–12; “‘You seem really flexible’…full of contempt,” p. 109; “But what drew
                    laughs…accepting of differences” (in footnote), p. 26; “Ta-dah” moment, p. 91.
                    Just listen to a handful of quotations: John Follain, Death in Perugia: The Definitive Account of
                    the Meredith Kercher Case from  Her  Murder  to the Acquittal of Raffaele Sollecito and Amanda
                    Knox (London: Hodder and Stoughton, 2011), pp. 90–91, 93, 94.
                    Diane Sawyer interview: “Amanda Knox Speaks: A Diane Sawyer Exclusive,” ABC News, 2013,
                    https://abcnews.go.com/2020/video/amanda-knox-speaks-diane-sawyer-exclusive-19079012.
                    “What’s  compelling  to  me…distance  ourselves  from”  (in  footnote):  Tom  Dibblee,  “On  Being
                    Off:  The  Case  of  Amanda  Knox,”  Los  Angeles  Review  of  Books,  August  12,  2013,
                    https://lareviewofbooks.org/article/on-being-off-the-case-of-amanda-knox.
                    “We were able…other kinds of investigation”: Ian Leslie, “Amanda Knox: What’s in a face?”
                    The  Guardian,  October  7,  2011,  https://www.theguardian.com/world/2011/oct/08/amanda-knox-
                    facial-expressions.
                    “Her eyes…could have been involved”: Nathaniel Rich, “The Neverending Nightmare of Amanda
                    Knox,”  Rolling  Stone,  June  27,  2011,  https://www.rollingstone.com/culture/culture-news/the-
                    neverending-nightmare-of-amanda-knox-244620/?print=true.
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